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EDUCATION
1998–2005 Goldsmiths College, University of London: PhD in Philosophy
1995–97 University of Warwick, Coventry: MA in Continental Philosophy
1982–83 Brera Accademia di Belle Arti, Milan, Italy
1979–82 Royal College of Art, London, England: MA in Painting
1973–78 Edinburgh College of Art, Edinburgh, Scotland: Diploma and Postdiploma in Painting

SELECTED SOLO AND COLLABORATIVE EXHIBITIONS/EVENTS
2010

• Morning Star, Country Club, Cincinnati

2009

• University of Cincinnati Music Conservatory–paintings accompany performance of Morton Feldman’s Rothko Chapel

2008

• Weston Art Gallery, Cincinnati

2007

• Wexner Center, Columbus, State Fare

2006

• 2kolegas, Beijing, “Utopian–Bands”

2003

• 1000000mph, London, with Peter Lloyd Lewis

2001

• Trans Hudson Gallery, New York

1999

• Economist Building, London

1996

• Trans Hudson Gallery, Jersey City

1995

• Hopkins Hall Gallery, Ohio State University, Columbus

1993

• TennisportArts, New York

1991

• Condeso/Lawler Gallery, New York

1988

• Marianne Deson Gallery, Chicago
• Studio Carlo Grossetti, Milan

1986

• Juda Rowan Gallery, London

1985

• Marianne Deson Gallery, Chicago
• Studio Carlo Grossetti, Milan

1983

• Studio Carlo Grossetti, Milan

SELECTED GROUP EXHIBITIONS
2010

• Museum Gallery/Gallery Museum, Cincinnati, Huxy: Modes of Masculinity

2009

• CS13, Cincinnati, The Text Show
• E:ventGallery, London, Starmaker
• Columbus Metropolitan Library, Joy Divisions

2008

• ArtWorks, Cincinnati, Paperchasers
• Contemporary Art Center, Cincinnati, American Idyll
• Publico, Fade To Black, film and video screenings

2007

• UNALINEACONTINUA, Studio Grossetti, Milan
• Izilo South Africa National Gallery, Cape Town, and Durban Art Gallery, South Africa, the sneeze 80 x 80
• Hopkins Hall Gallery, Ohio State University, Text, Image, Form
• New Museum of Contemporary Art, Louisville, Skirting the Line
• Peeler Art Center, DePauw University, Greencastle, Indiana, 2007 DePauw Biennial
• Publico, Cincinnati, Special Arrangements

2006

• Keith Talent Gallery, London, Year_06
• Locker 50B, Richmond, ReDetatch
• University Galleries on Sycamore, Cincinnati, Bad Drawing: malevolent, misbehaving, misunderstood
• Publico, Cincinnati, Ever and Over
• PLP Gallery, New York, Artists Throwing Money Out the Window (A.T.M.O.T.W.)
• 2005 Modern Art Oxford, Oxford, England, OMap

2004

• Group show, Studio Grossetti, Milan
• Gallery Gazon Rouge, Athens, the sneeze 80 x 80
• Collaborative Creative Concepts, Beacon, NY, Compound Interest

2003

• Icon Gallery and Mattress Factory, Birmingham, Science Fiction – Double Feature,
• 1 000 000mph, London, 15/1(2)
• Tablet Gallery, London, Hair the Show
• LIFTARCHIVE von SZUPER GALLERY, Kreisverwaltungsreferat, Munich

2002

• Croydon town centre video projections, Tabula Rasa, curated by Skyline Projections
• Artspace, Peterborough, Canada; Govett-Brewster Art Gallery, Critical Video Lounge
• Contemporary Art Museum, New Plymouth, New Zealand
• Wolverhampton Art Gallery, Strike
• Artspace, Peterborough, Canada, Group exhibition
• Five Years, London, The Difference Between You & Us
• Rosamund Felsun Gallery, Los Angeles; at Angstrom Gallery, Dallas, Song Poems

2001

• Cohan, Leslie & Browne, New York, Song Poems
• York City Art Gallery, Critical Video Lounge
• Five Years, London, Deadwall Reverie
• Beaver College, Philadelphia Snapshot
• Tate Modern, Century City, Big Blue
• Bridport Museum, Other People’s Gardens

2000

• Contemporary Museum, Baltimore, Snapshot
• Sharjah Museum, UAR, Inroads
• Hayward Gallery touring exhibitions, Dream Machines, Dundee Contemporary
• Arts Centre; Mappin Gallery, Sheffield; Camden Arts Centre, London; Glynn Vivian Art Gallery, Swansea

1999

• Kunsthalle, Vienna, Get Together–Art as Teamwork
• 18 Museum House, London, relocation
• Five Years, London, The Blood Show
• Aizu Wakamatsu City, Japan, Dream Centenary
• Bregenz Kunstverein, Kunst in der Stadt, Naturally Art
• 30 Paris Street, London, The Manchurian Candidate
• Workspace, New York, Imaginative Liberties
• BAC, London, Dumbfounded
• Sali Gia Gallery, London, Klega’s flat
• Cardiff Art and Time, About Time
• MOTA gallery, London, Stretching the Intimate

1998

• Trans Hudson Gallery, New York, Educating Barbie
• 20th Century Women’s Club, Los Angeles, I’m Still in Love with You
• Tramway, Glasgow, Host
• Centro Cultural Salar, La Paz, Bolivia, Estirando lo Intimo

1997

• Serge Sorokko Gallery, New York, Quirk
• Richard Salmon, London; Kettle’s Yard, Cambridge, Craft
• Trans Hudson Gallery, New York, Variations of Structure
• Gallery Korea, New York, recurrence
• Richard Salmon, London, Bad August
• Tricia Collins Grand Salon, New York; Gallery Idea, Mexico City; Centro Jacopo Borges, Buenos Aires, Cereijido’s Summer Video Festival
• Coins Cafe, London, Cafe Adler/Cafe Fix, Berlin, The Big Blue
• Studio Carlo Grossetti, Milan, Group Show
• Shillam+Smith 3, London, Irredeemable Skeletons
• Snug Harbor Cultural Center, Staten Island, NY, After the Fall: Aspects of Abstract Painting since 1970
• Gasworks, London, FHOH
• Spencer Brownstone Gallery, New York, Cause and Defect

1996

• 450 Broadway Gallery, Lines and Dots
• Studio Carlo Grossetti, Milan, Continua
• Trans Hudson Gallery, New York, Current Geometries in Abstraction
• Penine Hart Gallery, New York, The Great Pretender
• Bennington College, Vermont, Painting in an Expanding Field

1995

• Knotts Mill, Manchester Ha!
• Mark Harris 2

1994

• Studio Carlo Grossetti, Milan, Painting and Sculpture
• Trans Hudson Gallery, Jersey City, Abstraction, discipline, freedom
• Trans Hudson Gallery, Jersey City, Installations

1993

• The Drawing Center, New York, The Return of the Exquisite Corpse

1992

• Four Walls at Artists’ Space, New York, The Radio Show
• Four Walls, Brooklyn, New York, Representing Death
• TennisportArts, New York, Three installations
• Jack Tilton, New York, Water Bar/Vox Vendor

1991

• Art Fair, Los Angeles, Studio Carlo Grossetti
• Studio Carlo Grossetti, Milan, Today

1989

• Palazzo del Permanente, Milan, Quadriennale
• Condeso/Lawler Gallery, New York

1988

• A.I.R. Gallery, New York, At home for the holidays

1987

• Gray Art Gallery, East Carolina University, Greenville, North Carolina
• Bradford Print Biennale, Bradford, England, British Open
• Studio Carlo Grossetti, Milan, Contemporanea

1986

• Henry Moore Gallery, Royal College of Art, London

1984

• Bruna Soletti Gallery, Milan, British and German painters
• Riverside Studios, London, Five Painters
• Awards, Scholarships and Residencies

2009

• Warhol Foundation Creative Capital Art Writers Grant

2008

• Critic in Residence at the Bau Foundation, Otranto, Italy
• Ohio Arts Council Artist Excellence Award

2006

• University Research Council Faculty Award, University of Cincinnati
• Faculty Development Grant, University of Cincinnati

2005

• British Arts Council Fellowship, Long March Space, Beijing

2003-04

• Visiting Artist, Sculpture, Painting and Printmaking Depts., Virginia Commonwealth University

2000

• Visiting Artist, Ohio State University, Columbus

1998

• Arts Council England Fellowship, exhibitions abroad, Educating Barbie, Trans Hudson Gallery, New York

1997

• Art Omi, New York

1996

• British Council Grant, exhibitions abroad, one-person show, Trans Hudson Gallery, Jersey City

1995

• Visiting Artist, Ohio State University, Columbus

1994

• Triangle Workshop, Pine Plains, New York

1986

• Fulbright Award
• Sainsbury Award, Bradford Print Biennale

1984

• Mexican Government Award
• British Council Grant, exhibitions abroad, Studio Carlo Grossetti, Milan

1982

• Italian Government Award

SELECTED BIBLIOGRAPHY

• Eva Ball, Joy Divisions, catalogue, 2009
• Melissa Starker, alive!, May 28, 2009, Joy Divisions
• Sue Spaid, artUS, Summer 2008, review of Utopian–Bands, Weston Art Gallery exhibition
• State Fare, Wexner Center, Sean Foley, 2007
• The Sneeze, ARTicle Press, 2006
• Drug Dealer, artist pages, Miser & Now magazine, Issue 8, London, 2006
• Jon Cambell, Midnite in China, Contemporary, November, 2005
• Jon Cambell, Singing the Praises of Chairman Mao, Toronto Globe and Mail, November 1, 2005
• Jon Cambell, Stanzas of a Struggle, South China Morning Post, July 19, 2005
• Miser & Now, London, issue 2, 2004 spread on Streets of London project
• Sally O’Reilly, review of group show 15/12 at 1000000mph, London, Art Monthly, September 2003
• Critical Home Video, (publication) Govett-Brewster Art Gallery, Contemporary Art Museum, New Plymouth, New Zealand, 2003
• Strike, (publication) Wolverhampton Art Gallery, 2002
• Joe Hill, review of one-person show at Trans Hudson Gallery, Art in America, November 2001
• Stephen Hull, (publication) Song Poems, group show at Cohan, Leslie & Browne, New York, June 2001
• Oliver Karlin, review of one-person show at Trans Hudson Gallery, NY Arts, April, 2001
• Kim Levin, review of one-person show at Trans Hudson Gallery, Village Voice, New York, Feb 28-March 6, 2001
• Richard Cork, review of Dream Machines, The Times, October 4, 2000
• Dream Machines, (publication) Hayward Galley, London, 2000
• Get Together–Art as Teamwork, (publication) Kunsthalle, Vienna, 1999
• The Blood Show, (publication) Five Years, London, 1999
• Jonathan Jones, review of The Blood Show, The Guardian, August 6, 1999
• Michael Wilson, review of The Blood Show, Art Monthly, September 1999
• Polly Staple, review of The Blood Show, Time Out, August 18-25, 1999
• Wendy Shillam and Contemporary Arts Society, (publication) Economist Building, London, 1999
• Maria Walsh, review of Economist show, Art Monthly, September 1999
• Martin Coomer, review of Economist show, Time Out, August 26-September 1, 1999
• Jonathan Jones, Economist show, Thursday Guide, The Guardian, September 2, 1999
• Dream Centenary, (publication) Aizu Wakamatsu City, Japan, 1999
• Naturally Art, (publication) Kunst in der Stadt, Bregenz, 1999
• Alison Green, (publication) Dumbfounded, BAC, London, 1999
• Stephen Hull, (publication) I’m Still in Love with You, 20th Century Women’s Club, Los Angeles, 1999
• Ken Johnson, review of Educating Barbie, The New York Times, September 11, 1998
• Carol Kino, review of Educating Barbie, Time Out, New York, September 17-24, 1998
• Elisabeth Mahoney, review of Host, Contemporary Visual Arts, London, issue 1998
• Emmanuel Cooper, review of Craft, Crafts UK, London January/February, 1998
• Joan Key, Simon Watney, Janis Jefferies and Roy Voss, catalogue for Craft, Richard Salmon Gallery, London, 1997
• Tania Guha, review of Bad August, Time Out, London, August 20-27, 1997
• Lilly Wei, After the Fall: Aspects of Abstract Painting since 1970, (publication), The Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, NY, April 1997
• Gilda Williams, review of curated show Irredeemable Skeletons, Art Monthly, May 1997
• Vivien Raynor, review of curated show Material Abuse, The New York Times, March 1995
• Paola Morsiani, review, Juliet, Trieste, May/June 1991
• Michael Brenson, review, The New York Times, February 1, 1991
• Gabriele Perretta, review, Juliet, Trieste, October/November 1988
• Gian Piero Vincenzo, review, Flash Art, Italian Edition, October/November 1988
• Alan Artner, review, Chicago Tribune, May 27, 1988
• Andrew Brighton, Art Expo’s class act, New Art Examiner, Summer 1988
• Alistair Hicks, review, The Spectator, London, October 4, 1986
• Phoebe Tait, review, Flash Art, Italian Edition, November 1985
• Phoebe Tait, review, Financial Times, International Edition, August 12,1985
• Alan Artner, review, Chicago Tribune, April 25, 1985
• Elio Grazioli, Young Artists in Milan, Flash Art, Italian Edition, January 1985
• Caroline Collier, Five Painters, Flash Art International, May 1984
• Flavio Belocchio, review, Flash Art, Italian Edition, March/April 1984
• Mel Gooding, Five Painters, Arts Review, March 1984
• Waldemar Januszcak, Five Painters, The Guardian, March 1984
• Elio Grazioli, review, Flash Art, Italian Edition, spring 1984
  

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