Born in 1965, China
Lives and works in Shanghai, China and New York, NY

EDUCATION
1993 MA, Central Academy of Fine Arts, Beijing, China
1988 BA, He Nan University, Kai Feng, China

SOLO EXHIBITIONS
2010

• “Zhang Huan: Dawn of Time”, Shanghai Art Museum, Shanghai, China
• “Zhang Huan: Amituofo”, Museum of Contemporary Art Taipei, Taipei, Taiwan
• “Zhang Huan: Ashman”, PAC Museum, Milan, Italy
• “Zhang Huan: Free Tiger Returns to Mountains”, Pace Beijing, Beijing, China
• “Zhang Huan: Hope Tunnel”, Ullens Center for Contemporary Art, Beijing, China

2009

• “As Director and Set Designer”, Semele, Opera, Theatre Royal de La Monnaie | de Munt, Brussels, Belgium
• “Neither Coming Nor Going”, PaceWildenstein, New York, USA
• “Zhang Huan, Zhu Gangqiang”, White Cube, London, UK
• “Zhang Huan: Memory Doors”, Haunch of Venison, Zurich, Switzerland
• “Zhang Huan, Rebirth”, ProjectB Contemporary Art, Milano, Italy

2008

• “Zhang Huan: Blessings”, PaceWildenstein, New York, NY
• “Zhang Huan: Altered States”, Vancouver Art Gallery, Vancouver, Canada
• “Zhang Huan, Paintings and Sculptures”, Diehl + Gallery One, Moscow, Russia
• “Zhang Huan, Works from the Collection Caspar H. Schubbe”, DSV Group, Stuttgart, Germany

2007

• “Zhang Huan: Altered States”, Asia Society, New York, NY
• “Zhang Huan: Ash”, Haunch of Venison, London, England
• “Zhang Huan: Berlin Buddha”, Haunch of Venison, Berlin, Germany
• “Zhang Huan”, PhotoEspana 2007, Madrid, Spain
• “Zhang Huan-Drawings”, Galerie Volker Diehl, Berlin, Germany

2006

• “Zhang Huan”, Galerie Volker Diehl, Berlin, Germany
• “Zhang Huan”, Sherman Galleries, Sydney, Australia

2005

• “Zhang Huan: Seeds of Hamburg”, Museum of Fine Arts, Boston, MA

2004

• “Zhang Huan: Seeds of Hamburg”, Norton Museum of Art, Florida, FL
• “Zhang Huan”, La Fabrica Galeria, Madrid, Spain
• “Zhang Huan”, Tri Postal, Lille 2004, Cultural Capital of Europe, Lille, France

2003

• “Zhang Huan”, Bochum Museum, Bochum, Germany
• “Zhang Huan”, Galerie Volker Diehl, Berlin, Germany
• “Zhang Huan”, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Danmark

2002

• “Zhang Huan”, Kunstverein in Hamburg, Hamburg, Germany

2001

• “Zhang Huan”, Luhring Augustine Gallery, New York, NY
• “Zhang Huan”, The Power Plant Contemporary Art Gallery, Toronto, Canada
• “Zhang Huan, Museo das Peregrinacions”, Santiago de Compostela, Spain
• “Zhang Huan: Famliy Tree”, Galerie Albert Benamou, Paris, France

2000

• “My America”, Deitch Projects, New York, NY
• “Zhang Huan Survey”, Adam Gallery, Wellington, New Zealand
• “Zhang Huan”, Cotthem Gallery, Belgium
• “Zhang Huan”, Cotthem Gallery, Barcelona, Spain

1999

• “Zhang Huan, Works From 1994-1998”, Max Protetch Gallery, New York, NY
• “Zhang Huan: Performance on Video”, Artspace, Sydney, Australia
• “Zhang Huan: Performance”, Artspace, Auckland, New Zealand

1988

• “Zhang Huan”, He Nan University, Kai Feng, China

GROUP EXHIBITIONS
2010

• “Pictures & Statues”, Country Club, Cincinnati, OH
• “Hope! The city of Dinard”, Dinard, France
• “Art for The World, The Sculpture Project of The Expo Boulevard”, World Expo 2010, Shanghai, China
• “Haunted: Contemporary Photography/Video/Performance”, The Guggenheim Museum, New York, NY
• “Arts and Cities”, Aichi Triennale 2010, Aichi, Japan

2009

• “The Buhl Collection: Speaking with Hands”, Daelim Contemporary Art Museum, Seoul, Korea
• “Action-Camera: Beijing Performance Photography”, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada
• “Steel Life”, La Triennale di Milano, Milano, Italy
• “Yi Pai-Century Thinking”, Today Art Museum, Beijing, China
• “The Social Critique 1993-2005”, Kalmar Konstmuseum, Kalmar, Sweden
• “Re_View: 170 Years of Photography”, National Gallery of Victoria, Melbourne, Australia
• “Beg Borrow and Steal”, The Rubell Family Collection, Miami, FL
• “100 Years, A Draft of a History”, PS1 Museum of Contemporary Art, New York, NY

2008

• “Body Language: Chinese Photography”, National Gallery of Victoria, Melbourne, Australia
• “Half-Life of a Dream: Contemporary Chinese Art from the Collection of Kent and Vicki Logan”, San Francisco Museum of Modern Art, San Francisco, CA
• “Person of the Crowd”, Neuberger Museum of Art, New York, NY
• “Avant-garde China, Twenty Years of Chinese Contemporary Art”, The National Art Center, Tokyo, Japan
• “China Gold, Contemporary Chinese Art”, Museum of Maillol, Paris, France
• “Sculpture at Pilane 2008”, Tjorn, Sweden
• “Position and Deposition: Franko B/Zhang Huan”, Galleria Pack, Milano, Italy
• “Origins”, Hudson Valley Center, New York, NY
• “Encounters”, Pace Beijing, Beijing, China
• “Christian Dior & Chinese Artists”, Ullens Center for Contemporary Art, Beijing, China
• “Meat After Meat Joy”, Daneyal Mahmood Gallery, New York, NY; Pierre Menard Gallery, Cambridge, NY

2007

• “Exposed: Defining Moments in Photograph from the MCA Collection”, Museum of Contemporary Art, Chicago, IL
• “ZHUYI! CHINA. Contemporary Photography from China”, Artium of Alava, Center Museum of Contemporary Art, Spain
• “Made in China”, Louisiana Museum of Modern Art, Copenhagen, Denmark
• “Water”, The Israel Museum, Jerusalem, Israel
• “Timer.01, Intimacy”, Triennale Bovisa 2007, Milan, Italy
• “Voiceless: I feel therefore I am”, Sherman Galleries, Sydney, Australia
• “Red Hot: Asian Art Today from the Chaney Family Collection”, Museum of Fine Arts, Houston, TX
• “The Quiet Gesture”, Recent Chinese Art, The Newark Museum, Newark, NJ
• “Contemporary Combustion: Chinese Artists in America”, The New Britian Museum of American Art, New Britian, CT
• “An Instinctive Eye: A Selection of Contemporary Photographs from the Sir Elton John Collection”, Pinchuk Art Centre, Kiev, Ukraine
• “Grey Water”, Institute of Modern Art, Brisbane, Australia
• “All for Art! Great Collections Among Us”, The Montreal Museum of Fine Arts, Quebec, Canada
• “Photographies, New Acquisition 2003-2007”, Center Pompidou, Paris, France
• “Multiplex: Directions in Art, 1970 to Now”, The Museum of Modern Art , New York, NY

2006

• “Shoot the Family”, Cranbrook Art Museum, Michigan, MI
• “Making a Scene”, Haifa Museum of Art, Haifa, Israel
• “Reverence”, Hudson Valley Center for Contemporary Art, New York, NY
• “Fever Variations”, The 6th Gwangju Biennale 2006, Gwangju, Korea
• “Radar - Selection from the Logan Collection”, Denver Art Museum, Denver, CO
• “Drawing as Process in Contemporary Art”, Smart Museum of Art, University of Chicago, Chicago, IL

2005

• “The Museum Collections”, New Presentation of Art Works from 1960 to the Present Day, Center Pompidou, Paris, France
• “Mahjong, Contemporary Chinese Art from the Sigg Collection”, Kunstmuseum Bern, Bern, Swizerland
• “Locus Loppem 2005”, Kunsthalle Lophem, Lophem, Belgium
• “Between Skin and Orgasm--The Alchemistic Body”, Kunsthalle Lophem, Center for Contemporary Art, Lophem, Belgium
• “Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
• “The Great Beyond”, Kunstmuseum Thun, Thun, Swizerland
• “Text Me: An Exploration of Body Language”, Sherman Galleries, Sydney, Australia
• “On the Edge: Contemporary Chinese Artists Encounter the West”, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California, CA
• “Person of the Crowd”, Contemporary Museum, MD
• “Future Face”, National Museum of Natural Science, Taiwan, China
• “The Wall, Reshaping Contemporary Chinese Art”, The China Millennium Monument Art Gallery, Beijing, China
• “The Pictures of Dorian Gray”, Galeria de Arte Mexicano, Mexico City, Mexico
• “Fusion: Aspects of Asian Culture in the MUSAC Collection”, Museum of Contemporary Art, Leon, Spain

2004

• “Witness”, Museum of Contemporary Art, Sydney, Australia
• “Regeneration, Contemporary Chinese Art from China and the US”, Samek Art Gallery, Bucknell University, PA
• “Face/off”, The Association of Arts and Crafts Pforzheim, Pforzheim, Germany
• “Dialogue with Pop, The Tank”, Spaceworks Gallery, New York, NY
• “The Art Project Goetzen, Houses of an Idol”, Frankfurt (Oder)/Slubice, Germany/Poland
• “The Amazing and the Immutable”, University of South Florida Contemporary Art Museum, Florida, FL
• “Supernova: Art of the 1990s from the Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “Between Past and Future: New Photography and Video from China”, International Center of Photography, New York; Museum of Contemporary Art, Chicago, IL
• “Me, Myself & I, University Galleries”, Florida Atlantic University, Florida, FL
• “Supernova: Art of the 1990s from the Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “Queens International 2004”, Queens Museum of Art, New York, NY
• “Camera/Action: Performance and Photography”, The Museum of Contemporary Photography, Columbia College Chicago, Chicago, IL
• “Constructed Identities”, Ulrich Museum of Art, Wichita State University, Wichita, KS
• “Anthro/Socio”, The: Artist: Network, New York, NY

2003

• “Somewhere Better Than This Place”, The Contemporary Arts Center, Cincinnati, OH
• “2003 Beaufort, Triennial for Contemporary Art by the Sea”, The PMMK, the Museum of Modern Art, Ostend, Belgium
• “Art Project”, DiverseWorks Artspace, Houston, TX
• “Temporal Mood”, Barbara Davis Gallery, Houston, TX
• “Rituals”, Academy of Arts, Berlin, Germany
• “Family Ties”, Peabody Essex Museum, MA
• “Body Politics”, Elga Wimmer Gallery, New York, NY
• “Windstil”, Cotthem Gallery, Brussels, Belgium
• “Banquet, Metabolism and Communication”, ZKM, Center for Art and Media, Karlsruhe, Germany
• “Photo Espana 2003”, International Photography Festival, Madrid, Spain
• “Phantom of Desire: Visions of Masochism in Art”, Neue Galerie, Graz, Austria
• “Me and More”, Museum of Art Lucerne, Lucerne, Switzerland
• “Come Rally”, Basque Museum of Contemporary Art (Artium), Vitoria, Spain
• “Skin Deep”, The Trento and Rovereto Museum of Modern and Contemporary Art, Rovereto, Italy
• “Performance and Almost Performance”, Reina Sofia National Museum, Madrid, Spain
• “BQE”, White Box, New York, NY
• “Blood Lines & Connections”, Museum of Contemporary Art, Denver, CO
• “Full Frontal: Contemporary Asian Artists from the Logan Collection”, Denver Art Museum, Denver, CO
• “Spiders and Flies”, Newcontemporaries, Sydney, Australia
• “New Zone”, Zacheta National Gallery of Art, Warsow, Poland

2002

• “2002 Whitney Biennia”l, Whitney Museum, New York, NY
• “Skin Talks”, Musee de la Civilisation, Quebec, Canada
• “Attachment+, Kunsthalle Lophem”, Center for Contemporary Art, Belgium
• “China Contemporary Art Exhibition--Red Continent”, Gwangju Art Museum, Korea
• “Paisajes del Cuerpo”, Sala Zapateria 40, Pamplona, Spain
• “La Mirada Ajena”, Basque Museum of Contemporary Art(Artium), Vitoria, Spain
• “SAM Collects, Contemporary Art Projects”, Seattle Art Museum, Seattle, WA
• “The Gift, Generous Offerings, Threatening Hospitality”, The Bronx Museum of Art, New York, NY
• “Subjectivity: Photographs of Themselves”, Arizona State University Art Museum, AZ

2001

• “Yokohama 2001: International Triennale of Contemporary Art”, Pacific Yokohama, Japan
• “Translated Acts”, Haus der Kulturen der Welt, Berlin, Germany; Queens Museum of Art, New York, NY
• “The Gift”, Center of Contemporary Art, Siena, Italy
• “Subject Plural: Crowds in Contemporary Art”, Contemporary Arts Museum, TX
• “Metamorphosis and Cloning”, Museum of Contemporary Art in Montreal, Canada
• “Naked”, Wood Street Galleries, Pittsburgh, PA
• “Lateral Thinking, Art of the 1990s”, Museum of Contemporary Art, San Diego, CA

2000

• “Art and Religion”, organized by Museum S.M.A.K., Gent, Belgium, Parkabdij Heverlee, Belgium
• “On the Edge of the Western World”, Yerba Buena Center of the Arts,San Francisco, CA
• “Emotional Rescue: The Contemporary Art Project Collection”, Center on Contemporary Art, Seattle, WA
• “Utopia”, Rogaland Kunstmuseum, Stavanger, Norway
• “Betreff, Expo 2000”, Themenpark, Basic Needs, Hannover, Germany
• “Waterfront--Cultural Bridge 2000”, Helsingborg Museum, Sweden and Danmark
• “Sharing Exoticisms”, 5th Biennale de Lyon, Lyon, France
• “The Standard Projection: 24/7”, The Standard Hotel, Los Angeles, CA
• “Video via Venice”, Institute of Contemporary Art, Boston, MA
• “Socialisms”, Special Exhibition / Stockholm Art Fair, Sweden
• “6 Signals: Video by Contemporary Artists”, Cheekwood, Nashville, TN
• “Potent /Present: Selections from the Vicki and Kent Logan Collection”, CCAC Institute, Oakland, CA
• “Recent Acquisitions, The Doron Sebbag Art Collection”, Tel Aviv Museum of Art, Isael

1999

• “The Century of the Body: Photoworks 1900-2000, Culturgest”, Lisbon, and Musee de LElysee, lausanne, France
• “Last Paradise”, Presenca Galeria, Portugal
• “Self-Portrait”, Mercer Union, Centre for Contemporaty Art, Toronto, Canada
• “Five Continents and a City: Second International Salon of Painting”, Museum of Mexico City, Mexico City, Mexico
• “Best of the Season”, Aldrich Museum of Contemporaty Art, Rigefield, CT
• “Stories”, A/C Projects, New York, NY
• “Summit”, Galerie 5020, Salzburg, Austria
• “Art-Worlds in Dialogue”, Museum Ludwig, Cologne, Germany
• “Risk Cinema”, Harn Museum of Art, University of Florida, Gainesville, FL
• “Zhang Huan: A Video Survey 1994-1998; Performance Art from China”, Govett-Brewster Art Gallery, New Plymouth, New Zealand
• “48th La Biennale di Venezia”, Venice, Italy
• “The Kent and Vicki Logan Collection”, San Francisco, CA
• “Contemporary Collectors”, Museum of Contemporary Art, San Diego, CA
• “Transience: Chinese Art at the End of the Twentieth Century”, The Smart Museum of Art, Chicago, IL
• “In Your Face”, New Langton Arts, San Francisco, CA

1998

• “Inside Out: New Chinese Art, Asia Society”, PS 1 Museum of Contemporary Art, Long Island City, NY; the San Francisco Museum of Modern Art, San Francisco, CA
• “In Your Face”, The Andy Warhol Museum, Pittsburgh, PA

1997

• “Chinese Contemporary Art 1997”, Watari Museum, Tokyo, Japan

1996

• “China Art Festival”, Munich, Germany
• “Art Material of China”, Avant Garde, Fukuoka, Tokyo, Japan

1995

• “Configura 2,” Erfurt, Germany

1993

• “Graduate Show”, Central Academy of Fine Art, Beijing, China

SELECTED BIBLIOGRAPHY
2010

• “Zhang Huan: Dawn of Time,” Published by Shanghai Literature and Art Publishing House (Cover Image), ISBN: 978-7-5321-3742-8, China (Exhibition Catalogue)
• “Zhang Huan: Amituofo,” Published by Museum of Contemporary Art Taipei (Cover Image), ISBN: 978-986-85294-4-1, Taiwan (Exhibition Catalogue)
• Bartlett, Voon Pow. “Zhang Huan: Zhu Gangqiang,” Yishu, January/February, Vol. 9, PP. 72-79, Taiwan
• Zhang, Huan. “Zhang Huan: My Principle of the Art is ‘Those Who Submit shall Perish, Those Who Resist will Prosper’,” Art World, Issue 238, January/February, PP. 74-76, China
• Xu, Ke. & Bai, Jiafeng. “From the Individual Metaphor to Collective Memory-Zhang Huan and His ‘ Dawn of Time’,” Art China, Issue 61, February/March, PP. 27-31, China
• Lu, Carol Yinghua. “How It Appears,” Frieze, Issue 129, March, PP. 98-103, UK
• Benjamin, Genocchio. “Paradise Regained,” Life Magazine, Issue 52 (Cover Image), March, PP. 184-189, China
• “Zhang Huan: Hehe Xiexie,” ARTCO, March, No. 210 (Cover Image), P. 7, Taiwan
• Liu, Xiuyi. “Zhang Huan: Dawn of Time,” Leap, Issue 127, April, PP. 188-191, China
• Wu, Meng. “Spirit Wandering in the Body,” ARTCO, April, No. 210, PP. 140-144, Taiwan
• “Art for The World, The Sculpture Project of The Expo Boulevard,” Published by JGM. Galerie, PP. 92-95, China
• “Zhang Huan,” Art Box, Vol. 8, PP. 32-33, Japan
• “Zhang Huan: Free Tiger Returns to Mountains,” Published by Pace Beijing (Cover Image), China (Exhibition Catalogue)
• Colard, Jean-Max. “Maximum Exposure,” Les Inrockuptibles, May 2010, No. 753, PP. 30-33, France

2009

• “Zhang Huan,” Published by Phaidon Press (Cover Image), ISBN: 978-0-7148-4924-9, UK
• Wu, Hung. “Zhang Huan Stuido: Art and Labor,” Guangxi Normal University Press (Cover Image), ISBN: 978-7-5633-8286-6, China
• “Zhang Huan, Rebirth,” Published by ProjectB Contemporary Art (Cover Image), Italy (Exhibition Catalogue)
• “Zhang Huan, The Creativity 50,” Creativity, February, P. 31, USA
• Genocchio, Benjamin. “Zhang Huan,” Guide 2009-2010 La Monnaie, PP. 133-148, Belgium
• Robertson, Jean. “Themes of Contemporary Art,” Oxford University Press, P. 107, USA
• “Zhang Huan,” The China Project, Published by Queensland Art Gallery, PP. 134-135, Australia (Exhibition Catalogue)
• “Action-Camera: Beijing Performance Photography,” Morris and Helen Belkin Art Gallery, The University of British Columbia, P. 26, Canada (Exhibition Catalogue)
• “Super Studios,” Wallpaper, June, P. 138, UK
• “Chuck Close: Selected Paintings and Tapestries 2005-2009,” Published by PaceWildenstein (Cover Image), ISBN: 978-1-930743-99-8, USA (Exhibition Catalogue)
• “Zhang Huan,” Steel Life, La Triennale di Milano, Italy (Exhibition Catalogue)
• Pasquarella, Sheri. “Zhang Huan Stopped by Chuck Close’s New York Studio,” Tar, Spring, PP. 80-84, USA
• Ferrari, Stefano. “Zhang Huan Ash Painting,” Arte, June, No. 430 (Cover Image), PP. 90-93, Italy
• Perra, Daniele. “Zhang Huan,” Kult, May, No. 5 (Cover Image), PP. 44-49, Italy
• Battle, Laura. “Handel in Chinese,” Financial Times, Life & Arts, Saturday, August 29, UK
• Christiansen, Rupert. “What’s Handel Doing in a Ming Temple,” The Daily Telegraph, Review, Saturday, August 22, UK
• Yang, Andrew. “Assimilating Semele,” Modern Painters, September, PP. 36-37, USA
• Armstrong, Stephen. “Huan Step Beyong,” Wallpaper, October, PP. 112-116, UK
• “Zhu Gang Qiang,” Published by White Cube and Zhang Huan Studio (Cover Image), China
• “Zhang Huan,” Some/Things Magazine, PP. 40-51, France
• Warren, Tamara. “Across the Universe,” Clear Magazine, Issue 33, PP. 138-139, USA
• Loomis, George. “A Chinese Spin on Baroque Opera,” International Herald Tribune, Culture, Thursday, September 17, USA
• Mian, Mian. “Far Away from Heaven,” Modern Weekly, Lifestyle, PP. 82-84, October 17, China
• Mian, Mian. “Zhang Huan’s Semele and Art Adventure,” Nanfang Weekend, Culture, October 22, China
• Liu, Jingjing. “A Kind of Elegant Violation-Zhang Huan and His Semele,” Life Magazine, Issue 48, November, PP.174- 187, China
• Gao, Minglu. “Individual Life Experience and the Happening Form of Collective: The Performance Art of Zhang Huan,” Contemporary Art & Investment, November, Issue 35 (Cover Image), PP. 34-47, China
• Baecker, Angie. “Standing on the Shoulders of Giants,” Art Asia Pacific, Issue 66, November/December, PP. 88-97, USA
• Dosogne, Christophe. “Long Live the Contemporary Art-Stephane Janssen Collection,” Collect, November, No. 404 (Cover Image), PP. 26-31, France
• Liu, Jingjing. “Carnival of Life, Death and Passion,” Noblesse, December, No. 12, PP. 50-54, China
• Sewell, Brian. “What a Performance,” London Evening Standard, London Life Visual Art, Thursday, September 3, UK
• Hudson, Mark. “Hogging the Limelight: Pigs are Stars of the Show,” The Daily Telegraph, Arts, September 8, UK
• Canning, Hugh. “Chinese Takeaway,” The Sunday Times, Culture, Opera, September 13, UK
• Rexer, Lyle. “Coup de Theatre, Around Zhang Huan’s First Opera,” DAMn, No.23, December/January, PP. 20-27, Belgium
• Li, Jing. & Cao, Jie. “A Factory Produces Arts,” The Bund, People, No. 368, December, China
• O’Reilly, Sally. “The Body in Contemporary Art,” Published by Thames & Hudson, PP. 110-111, UK
• “Beg Borrow and Steal,” Published by Rubell Family Collection, PP. 260-263, USA (Exhibition Catalogue)

2008

• “Zhang Huan - Blessings,” Published by PaceWildenstein (Cover Image), ISBN: 978-1-930743-89-2, USA
• Castro, Jan Garden. “New Vocabularies, A Conversation with Zhang Huan,” Sculpture, January/February, Vol. 27, No.1 (Cover Image), PP. 24-29, USA
• Richard, Frances. “Zhang Huan, Asia Society,” Artforum, January, No. 5, P. 284, USA
• “Zhang Huan: Recklessness and Wisdom,” Art World, No. 215, February, PP. 56-61, China
• Albertini, Claudia. “Avatars and Antiheroes, a Guide to Contemporary Chinese Artists,” Kodansha International, PP. 156-159, Japan
• “All for Art! Great Collections Among Us,” The Montreal Museum of Fine Arts, P. 227, Canada (Exhibition Catalogue)
• “Zhang Huan: Buddha,” Published by Haunch of Venison (Cover Image), ISBN: 978-1-905620-19-7, Germany
• Osborne, Lawrence. “Zhang’s Dynasty,” Men’s Vogue, April, PP. 116-119, USA
• Pollack, Barbara. “From a Bed of Ice to a 20-Foot Hand,” Artnews, April, Vol. 107, No. 4 (Cover Image), PP. 124-129, USA
• Heartney, Eleanor. “Art & Today,” Published by Phaidon, P. 222, USA
• Franzen, Jonathan. “The Way of the Puffin,” The New Yorker, April 21, P. 97, USA
• “The Revolution Continues, New Art from China,” Saatchi Gallery, PP. 68-71, UK (Exhibition Catalogue)
• Smith, Roberta. “Zhang Huan,” The New York Times, Art in Review, May 23, USA
• “Zhang Huan,” Sleek, Spring, PP. 68-69, Germany
• “Zhang Huan,” Beaux Arts, May, P. 20, France
• Naves, Mario. “That’s a Nice Piece of Ash,” The New York Observer, Arts & Culture, June 10, USA
• “Zhang Huan,” Status, May, No. 242, PP. 144-148, Greece
• “Franko B/Zhang Huan,” Published by Galleria Pack, June, Italy (Exhibition Catalogue)
• Reyna, Juan Carlos. “Zhang Huan,” Picnic, August, PP. 20-24, Mexico
• Hansen, Mette Halskov & Thogersen, Stig. “China - Individuals and Society,” Published by University Press (Cover Image), ISBN: 978-82-15-01200-1, Norway
• Nedo, Kito. “Artmonk in Capitalism,” Art Magazine, August, PP. 42-51, Germany
• “Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection,” Published by San Francisco
• Museum of Modern Art, PP. 122-125, USA (Exhibition Catalogue)
• “Zhang Huan,” Avant-garde China, Twenty Years of Chinese Contemporary Art, The National Art Center, PP. 92-97, Japan (Exhibition Catalogue)
• Vine, Richard. “New China New Art,” Published by Prestel, PP. 82-84, PP. 108-111, Germany
• “China Gold, Contemporary Chinese Art,” Museum of Maillol, PP. 164-169, France (Exhibition Catalogue)
• Griffin, Kevin. “Zhang Huan Pushes His Body to Extremes for Art,” The Vancouver Sun, Arts & Life, August 16, Canada
• Lederman, Marsha. “The New Face of Chinese Art,” Globe Review, Visual Art, July 2, Canada
• Hatry, Heide. “Zhang Huan,” Meat After Meat Joy, Published by Daneyal Mahmood Gallery and Pierre Menard Gallery (Cover Image), PP. 44-49, USA
• Seddon, Max. “Sadness, Despair and Ash at Zhang Huan Show,” The Moscow Times, City Wise, December 15, Russia
• Wullschlager, Jackie. “The Revolution Continues, New Art from China,” Financial Time, Collecting, Saturday, October 11, UK
• “Zhang Huan, Works from the Collection Caspar H. Schubbe,” Published by DSV Group (Cover Image), ISBN: 978-3-09-314558-2, Germany

2007

• “Zhang Huan Altered States,” Published by Charta and Asia Society (Cover Image), ISBN: 978-8881586417, Italy
• “Zhang Huan: Ash,” Published by Haunch of Venison (Cover Image), ISBN: 978-1-905620-19-7, UK
• “Zhang Huan Drawings,” Published by Schirmer/Mosel (Cover Image), ISBN: 978-3-8296-0308-9, Germany
• “Zhang Huan,” Published by PhotoEspana and Foundation Telefonica (Cover Image), ISBN: 84-89884-76-5, Spain
• Buck, Louisa. “Art Goes Global,” Art Quarterly, Summer (Cover Image), PP. 38-41, UK
• “The 10th PhotoEspana,” Art Context, February (Cover Image), P. 84, Spain
• “Collection Photographs,” Published by Center Pompidou (Cover Image), P. 334, France
• Dodd, Philip. “Ashes to Ashes,” Dam, No. 14 (Cover Image), PP. 26-33, Belgium
• “Timer.01, Intimacy,” Triennale Bovisa, PP. 176-179, Italy (Exhibition Catalogue)
• “China Onward, The Estella Collection, Chinese Contemporary Art, 1966-2006,” Louisiana Museum of Modern Art, PP. 400-409, Denmark (Exhibition Catalogue)
• “A Dictionary of Photographers, PhotoEspana 1998-2007,” Published by La Fabrica, PP. 598-601, Spain
• “Zhang Huan,” Art Context, March, PP. 136-137, Spain
• “ZHUYI! CHINA, Contemporary Photography from China,” Artium of Alava, Center Museum of Contemporary Art, P. 88, Spain (Exhibition Catalogue)
• Barboza, David. “Products Roll Off the Assembly Line,” The New York Times, The Arts, September 3, USA
• Barboza, David. “Avant-Garde Art from The Factory Floor,” International Herald Tribune, International Life, September 5, USA
• Cotter, Holland. “Chinese Art, In One Man’s Translation,” The New York Times, Weekend Arts, September 7, USA
• Teh, David. “Zhang Huan: Thinking Big,” Art Asia Pacific, No. 55, September/October, PP. 110-111, USA
• Pollack, Barbara. “Made in China,” Time Out, September 6-12, P. 30, USA
• Esplund, Lance. “Made in China,” The Sun New York, Arts & Letters, September 6, USA
• Chiu, Melissa. “Breakout, Chinese Art Outside China,” Published by Charta, PP. 108-113, Italy
• Budick, Ariella. “Artist Zhang Huan’s Asia Society Exhibit,” Newsday, September 14, USA
• “An Instinctive Eye: A Selection of Contemporary Photographs from the Sir Elton John Collection,” Pinchuk Art Centre, PP. 64-67, Ukraine (Exhibition Catalogue)
• Dodd, Philip. “You Have to Keep Creating a New Self,” Financial Times, Art & Design, Saturday, September 22, UK
• Holmes, Pernilla. “Zhang Huan: They Thought I was Insane,” Telegraph, Arts, Saturday, September 22, UK
• Camhi, Leslie. “The Peculiar World of Chinese Art Star Zhang Huan,” The Village Voice, Art, October 2, USA
• “Three Legged Buddha,” Evening Standard, City Life, October 8, Monday, UK
• Qusaibaty, Olivia. “Zhang Huan: Altered States,” ARTiT, No. 17, Fall/Winter, Japan
• “From Noir to Nirvana, How China’s First Art Maverick Found Peace,” Tank, Volume 5, PP. 38-39, UK
• Pollack, Barbara. “Art’s New Super Power,” Vanity Fair, No. 568, December, PP. 318-329, USA
• “China Art Book,” Dumont, PP. 592-599, Germany
• “Zhang Huan Altered States,” The Asian Art Newspaper, November 16, USA
• Vine, Richard. “The Labors of Narcissus,” Art in America , December, No. 11, PP. 106-111, USA
• Shyr, Luna. “In the Studio,” Art + Auction, December, The Power Issue, PP. 78-86, USA
• Shears, Jenny. “Only to Provoke,” Clear, Issue 4, PP. 28-35, USA
• “Art Works, The Progressive Collection,” The Progressive Collection, P. 189, USA
• Camhi, Leslie. “The No-Year Plan,” The Village Voice, October 3-9, Art, P. 56, USA

2006

• “Zhang Huan,” Galerie Volker Diehl, Berlin, (Cover Image), Germany (Exhibition Catalogue)
• “Zhang Huan, Selected Works 1995 - 2006,” Max Lang Gallery, New York, (Cover Image), USA (Exhibition Catalogue)
• Rugoff, Ralph. “Shooting the Family,” Independent Curators International (ICI), PP. 46-47, USA (Exhibition Catalogue)
• Robecchi, Michele. “Zhang Huan Speak with Michele Robecchi,” Published by La Fabrica and Foundation Telephone, ISBN: 84-96466-31-0, Spain
• “The Season,” Gallery Pack, PP. 142-160, Italy (Exhibition Catalogue)
• “Post Modern Portraiture,” The Logan Collection Vail, PP. 310-311, USA (Exhibition Catalogue)
• Nairne, Sandy. “The Portrait Now,” National Portrait Gallery, PP. 88-89, England
• “Fever Variations,” Gwangju Biennale, PP. 36-37, Korea (Exhibition Catalogue)
• “Zhang Huan,” Art News, December, Vol.105, P. 153, USA

2005

• Taylor, Brandon. “Art Today,” Published by Laurence King Publishing Ltd., P. 196, UK
• Hoffmann, Jens & Jonas, Joan. “Art Works, Perform,” Published by Thames & Hudson, (Cover Image) PP. 98-99, USA
• Erickson, Britta. “On the Edge, Contemporary Chinese Encounter the West,” Cantor Arts Center, (Cover Image) PP. 66-69, USA (Exhibition Catalogue)
• Rugoff, Ralph. “Monuments for the USA,” CCA Wattis Institute for Contemporary Arts, PP. 156-157, USA (Exhibition Catalogue)
• Kim, Jiae. “Losing Himself in His Art,” Theme, Spring, Premier Issue, PP. 50-55, USA
• Sauerlander, Katrin. “The Great Beyond,” Kunstmuseum Thun, PP. 40-43, Switzerland (Exhibition Catalogue)
• “Between Skin and Orgasm--The Alchemic Body,” Kunsthalle Lophem, PP. 266-271, Belgium (Exhibition Catalogue)
• Marsh, Margaret. “A.R.T. 2 Practice,” Published by Oxford, P. 87, Australia
• Sausset, Damien. “Paris Photo,” Photo, No. 424, November, PP. 78-83, France
• Matheson, Susan B. “Yale University Art Gallery Bulletin 2005,” Yale University Art Gallery, P. 195, USA
• Fibicher, Bernhard. “Mahjong, Contemporary Chinese Art from the Sigg Collection,” Published by Hatje Cantz, PP. 158-159, Switzerland (Exhibition Catalogue)
• Deitch, Jeffrey. “Monument to Now,” Published by DESTE Foundation for Contemporary Art, PP. 446-447, USA
• “Zhang Huan”, Matador, Volume Orient, PP. 90-101, Spain

2004

• Peace, Art in America (Cover Image), June/July, No. 6, USA
• Collins, Thom. “Witness,” Museum of Contemporary Art, Sydney, PP. 34-41, Australia (Exhibition Catalogue)
• “Art on the Plaza,” Sculpture Magazine, Vol. 23, No. 2, P. 14, USA
• Coetzee, Mark. “Not Afraid: Rubell Family Collection,” Published by Phaidon, PP. 186-187, UK
• Anker, Suzanne. & Nelkin, Dorothy. “The Molecular Gaze: Art in the Genetic Age,” Published by Cold Spring Harbor Laboratory Press, P. 39, USA
• Vine, Richard. “Zhang Huan, Weihong and Zhang Jian-Jun at DiverseWorks and Barbara Davis,” Art in America, No. 2, P. 130, USA
• Pollack, Barbara. “Chinese Photography: Beyond Stereotypes,” ARTnews, Vol. 103, No. 2, PP. 98-103, USA
• Ritson, Alicia. “Zhang Huan - Performances,” TAASA Reviews, Vol. 13, No. 1, PP. 12-13, Australia
• Eikmeyer, Robert. “Zhang Huan,” Face/Off, The Association of Arts and Crafts Pforzheim, Pforzheim, PP. 144-148, Germany (Exhibition Catalogue)
• “Zhang Huan,” Regeneration, Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknell University, Pennsylvania, PP. 68-69, USA (Exhibition Catalogue)
• Yu, Christina. “Tangible Metaphors,” Next Level, Edition 01, Volume 03, PP. 20-25, UK
• Heckert, Virginia. “The Amazing & The Immutable,” Contemporary Art Museum, University of South Florida, P. 36, USA (Exhibition Catalogue)
• Cereceda, Miguel. “Monstrous in Contemporary Art,” Arte y Naturaleza, No. 34, November, PP.6-9, Spain
• Sofaer, Joshua. “The Performance Pack,” Published by Tate and Live Art Development Agency, UK
• Heathfield, Adrian. “Live: Art and Performance,” Published by Tate, P. 133 & P. 204, UK
• Cheng, Meiling. “Clandestine Interventions,” Public Art Review, Vol. 16, No. 1, Issue 31, PP. 26-29, USA
• Hung, Wu & Phillips, Christopher. “Between Past and Future, New Photography and Video from China,” Smart Museum of Art & International Center of Photography, P. 140, USA (Exhibition Catalogue)
• Jacob, Mary Jane. “Buddha Mind in Contemporary Art,” University of California Press, PP. 240-247, USA
• Cotton, Charlotte. “The Photograph as Contemporary Art,” Published by Thames & Hudson, P. 24, UK
• Etxeberria, David. “Zhang Huan,” Umbigo, No. 11, PP. 36-37, Portugal
• “Baby,” No. 11, Autumn, P. 131, Netherlands
• Liu, Melinda. “China’s Glasnost,” Newsweek (International Vision) (Cover Image), August 9, PP. 44-48, USA

2003

• Dziewior, Yilmaz. “Zhang Huan,” Kunstverein in Hamburg, Published by Hatje Cantz (Cover Image), ISBN: 3-7757-1220-8, Germany
• Vogel, Carol. “From War to ‘Peace’,” The New York Times, Inside Art, August 1, USA
• Schiff, Hajo. “Zhang Huan,” Kunstforum International, March/April, Germany
• Sand, Olivia. “Zhang Huan,” The Asian Art Newspaper, January, USA
• Kevles, Bettyann Holtzmann & Kevles, Daniel J. “Truth, Beauty and the Double Helix,” Newsweek, February 24, PP. 42-44, USA
• “Zhang Huan,” Beaufort, Triennial for Contemporary Art by the Sea, The PMMK, the Museum of Modern Art, PP. 76-81, Belgium (Exhibition Catalogue)
• “Somewhere Better Than This Place,” Contemporary Arts Center, Cincinnati, PP. 206-207, USA (Exhibition Catalogue)
• Bauer, Marilyn. “Costars with Art,” The Cincinnati Enquirer, Sunday, June 1, USA
• Neubauer, Susanne. “Zhang Huan,” Me & More, Museum of Art Lucerne, Lucerne, PP. 74-81, Switzerland (Exhibition Catalogue)
• Weibel, Peter. “Zhang Huan,” Phantom of Desire: Visions of Masochism in Art, Neue Galerie, Graz, PP. 510-511, Austria (Exhibition Catalogue)
• Wichmann, Dominik. “Interview with Zhang Huan,” Suddeutsche Zeitung Magazine, No. 38, September 19, PP. 22-28, Germany
• “Focus Photography,” Flash Art, No. 232, October, P. 93, Italy
• Gleeson, David. “Berlin, Germany, Reviews, International,” Art Papers, September/October, P. 60, USA
• “Peace”, Public Art Review, Volume 15, P. 42, USA
• Erickson, Britta. “Backflow: Returned Chinese Artists,” & Yao, Souchou. “Two Faces of Contemporary Art in China,” Artlink, Vol. 23, No. 4, PP. 16-31, Australia

2002

• “Zhang Huan,” Published by Xunda de Galicia and Cotthem Gallery, ISBN: 84-453-3162-0, 84-607-3005-0, Spain
• Goldberg, Roselee. “Zhang Huan,” Artforum, March, P. 139, USA
• “Zhang Huan,” Whitney Biennial, PP. 236-237, USA (Exhibition Catalogue)
• Phillips, Christopher. “Crosscurrents in Yokohama,” Art in America, January, PP. 88-89, USA
• Carr-Harris, Ian. “Zhang Huan,” Contemporary, Toronto, January, PP. 6-7, England
• Heartney, Eleanor. “The Body East,” Art in America, April, P. 46, USA
• Blanco, Jorge. “Zhang Huan, Naked Truth” Planet, Spring, PP. 42-43, USA
• Osborne, Peter. “Conceptual Art, Themes and Movements,” Published by Phaidon, P. 188, England
• Lucie-Smith, Edward. “Art Tomorrow, the Body and Identity,” Editions Pierre Terrail, Paris, PP. 196-197, France
• “Zhang Huan,” Attachments, PP. 90-105, Belgium (Exhibition Catalogue)
• “Zhang Huan,” SAM Collects, Contemporary Art, Project, Seattle Art Museum, PP. 20-21, USA (Exhibition Catalogue)
• “Zhang Huan,” Lateral Thinking, Art of the 1990S, Museum of Contemporary Art San Diego, PP. 66-67, USA (Exhibition Catalogue)
• “Zhang Huan,” La Mirada Ajena, Basque Museum of Contemporary Art (Artium), PP. 58-67, Spain (Exhibition Catalogue)

2001

• Olesen, Alexa. “Making Art of Masochism and Tests of Endurance,” The New York Times, Art/Architecture, November 11, USA
• “Zhang Huan,” The Gift, Center of Contemporary Art, Published by Charta, P. 450, Italy (Exhibition Catalogue)
• “2001 A Beach Odyssey,” Aperture 164, P. 58, USA
• Heartney, Eleanor. “The Naked Truth,” Wood Street Gallery, USA (Exhibition Catalogue)
• Kim, Yu Yeon. “Translated Acts,” Haus der Kulturen der Welt, PP. 84-85, Germany (Exhibition Catalogue)
• “Zhang Huan,” Yokohama, International Triennale of Contemporary Art, P113, PP. 372-373, Japan (Exhibition Catalogue)
• “Zhang Huan,” Subject Plural, Contemporary Arts Museum, PP. 34-37, USA (Exhibition Catalogue)
• Marchand, Sandra Grant. “Metamorphosis and Cloning,” Museum of Contemporary Art, Montreal, PP. 46-47, Canada (Exhibition catalogue)
• Borras, Maria Lluisa. “Zhang Huan,” Atl Antica, No. 28, P. 26, Spain
• “Yokohama 2001, International Triennale of Contemporary Art, Mega-Wave, Towards a New Synthesis,” Monthly Art Magazine, January, P. 77, Japan
• Borysevicz, Mathieu. “Before and After,” Art Asia Pacific, Issue 30, PP. 57-61, Australia

2000

• “Zhang Huan,” Recent Acquisitions, The Doron Sebbag Art Collection, O.R.S. Ltd., PP. 35-38, Israel (Exhibition Catalogue)
• “Zhang Huan: blood, sweat--and a few dollars,” El Cultural ABC, November 4, Spain
• “Imagenes que Gritan,” Agenda, November, N.38, Spain
• “Cinco Continentes,” Yuna Ciudad, No. 25, Spain
• “Epifanie: Actuele Kunst en Religie,” October, Belgium
• Borysevicz, Mathieu. “Zhang Huan at Deitch Projects,” Art in America, October, PP. 168-168, USA
• Anton, Saul. “Zhang Huan, ‘My America’,” Time Out, May, P. 73, USA
• Carr, C. “Stripped Down,” The Village Voice, May 9, USA
• “My America,” Deitch Project, USA (Exhibition Catalogue)
• Robinson, Peter. “A Raw Look at Changing China,” June 3, The Canberra Times, Australia
• “Zhang Huan,” Potent Present, Selections from the Vicki and Kent Logan Collection, USA (Exhibition Catalogue)
• Len, Ling. “Body Express, Interview with Zhang Huan,” Culture Publication, PP. 138-153, China
• Fineberg, Jonathan. “Art Since 1940, Strategies of Being,” P. 486, USA
• “Zhang Huan,” Zoo, Issue 4, January, PP. 176-177, England
• Taylor, Victor Zamudio. “Five Continents and One City: Second International Salon of Painting Mexico City, Mexico,” Atl Antica, No. 25, PP. 88-89, Spain

1999

• Smith, Roberta. “Zhang Huan,” The New York Times, Art in Review, February 12, USA
• “The Biennale of Global Culture,” Domus, Vol. 819, October, Germany
• Yu, Hsiao-Hwei. “Zhang Huan,” Chinese Art News, (Cover Image) No. 20, April, PP. 65-68, Taiwan
• Wu, Hung. “Speaking the Unspeakable,” Transcience: Chinese Experimental Art at the End of the Twentieth Century, The Smart Art Museum, PP. 102-107, USA (Exhibition Catalogue)
• Liu, Calvin. “Body and Soul,” Asianweek, Arts & Entertainment, April 15, USA
• Lu, Alvin. “Dogs Eye View,” San Francisco Bay Guardian, April 14, USA
• Anton, Saul. “Zhang Huan: Maoist Mask of an Anonymous Everyman,” Flash Art, Vol. 32, No. 207, Summer, P. 96, Italy
• “Zhang Huan,” La Biennale di Venezia: 48 Esposizione Internatazionale dArte, Venice, PP. 260-263, Italy (Exhibition Catalogue)
• Dale, Richard. “Zhang Huan, Performance on video,” ISBN: 0-9583738-6-8, New Zealand (Exhibition Catalogue)
• Qian, Zhijian. “Performing Bodies: Performance Art in China,” Art Journal, Vol.58, No.2, 1999, PP. 60-71, USA
• Goodman, Jonathan. “Zhang Huan at Max Protetch,” Art in America, No. 9, PP. 130-131, USA
• “Zhang Huan,” Lost Paradise, Presenca Galeria, Portugal (Exhibition Catalogue)
• Gao, Minglu. “Self-Images: Mirroring the Relation between Extensionality and Internationality,” Mexico (Exhibition Catalogue)
• Wang, Ruiyun. “Zhang Huan and His Art,” Art Observation, No. 48, China
• Sauerlander, Katrin. “Zhang Huan, Art Worlds in Dialogue,” Museum Ludwig, Germany (Exhibition Catalogue)

1998

• Gao, Minglu. “Extensionality and Internationality in a Transnational Cultural System,” Art Journal (Cover Image), Vol. 57, No. 4, USA
• Cotter, Holland. “Art That’s a Dragon With Two Heads,” The New York Times, Arts & Leisure, December 13, USA
• Gao, Minglu. “Inside Out, New Chinese Art,” (Cover Image) August, P. 49, USA (Exhibition Catalogue)
• New York, No. 28, Sepember, USA
• Social Text, 55 Duke, September, USA
• Wild Life, China
• Why Asia?: Contemporary Asian and Asian American Art, USA

1997

• Grey Book, No. 3, China
• Article Highlights, August, Japan
• Chinese Contemporary Art, June, Watari-um, Tokyo, Japan
• China Books Monthly, May, China

1996

• China, August, Germany
• China Research Monthly, June, Japan

1995

• Stern, December, Germany
• Configura 2 Dialog Der Kulturen, July, Erfurt, Germany
• Artists, December Tai Wan
• White Book, No. 2, China
• Zyma, January/February, Germany
• Technika Art, No. 18, June/July, France
• Art, August, Germany

1994

• Ming Bao Monthly, November, Hong Kong
• Dragon Art, March, Tai Wan
• Black Book, No. 1, China