Born in 1972
Lives and works in New York, NY

EDUCATION
2000 MFA, Carnegie Mellon University, Pittsburgh, PA
1995 BS and BA, University of California, Davis, CA

SOLO EXHIBITIONS
2009

• “Untitled (Sculpture Silhouettes)”, City Hall Park, New York, NY
• “The Jane and Marc Nathanson Distinguished Artist in Residence: Peter Coffin”, Aspen Art Museum, Aspen, CO
• “The Exhibition Formerly Known as Passengers: 2.8 Peter Coffin”, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
• “U.F.O.”, Southwest Coast of Brazil, Rio de Jeniero, Brazil
• “Peter Coffin”, Barbican Curve Space, London, England

2008

• “Yellow Outline”, Centre d’Art Contemporain, Fribourg, Switzerland
• “How to Fly a Helicopter”, The Suburban Gallery Chicago, Oak Park, IL
• “Peter Coffin and Djordje Ozbolt”, Herald Street, London, England
• “U.F.O.”, Festiwal Gwiazd, Gdansk, Poland
• “You are Me”, Andrew Kreps Gallery, New York, NY
• “Peter Coffin”, Michael Benevento Gallery, Los Angeles, CA

2007

• “Model of the Universe”, Galerie Emmanuel Perrotin, Miami, FL
• “Peter Coffin”, Galerie Emmanuel Perrotin, Paris, France
• “Tree Pants”, The Horticultural Society of New York, New York, NY
• “The Idea of the Sun, Peter Coffin”, le Confort Moderne, Poitier, France
• “Around, About Expanded Field”, Herald Street, London, England
• “Music for Plants”, Palais de Tokyo, Paris, France

2005

• “Hello Headspace”, Galleria Fonti, Naples, Italy
• “New Work”, Living Room D Lyx Gallery, Malmo, Sweden
• “Absinthe Drinker”, The Wrong Gallery, New York, NY

2004

• “It Chooses You”, Andrew Kreps Gallery, New York, NY

2002

• “Perfect If On”, Andrew Kreps Gallery, New York, NY

GROUP EXHIBITIONS
2010

• “Pictures & Statues”, Country Club, Cincinnati, OH

2009

• “Time Base Art”, Portland Institute of Contemporary Art, Portland, OR
• “New York Minute”, curated by Kathy Grayson, Macro Future, Museo D’Arte Contemporanea Roma, Rome, Italy
• “Nature Nation”, curated by Raphie Etgar, Museum on the Seam, Jerusalem, Israel
• “Abstract America”, Saatchi Gallery, London, England
• “Altermodern, the Tate Triennial”, curated by Nicolas Bourriard, Tate Britian, London, England
• “Beg Borrow and Steal”, Rubell Family Collection, Miami, FL
• “under construction: cargo manifest”, Bayerische Staatsoper, Munich, Germany
• “Evading Customs”, curated by Peter J. Russo and Lumi Tan, Brown Gallery, London, England
• “In the Between”, curated by Suzanne Egeran, Arada, Istanbul, Turkey
• “Unicorns vs. Mermaids”, curated by Jo Robertson & Byron Coley, I-20 Gallery, New York, NY
• “Whaddaya Wanna Be, a Flower?!”, curated by Amy Levin, Oliver Newton, and Nolan Simon, Alexander and Bonin, New York, NY

2008

• “The Possibility of an Island”, curated by Ruba Katrib, Museum of Contemporary Art (MOCA), North Miami, FL
• “Martian Museum of Terrestrial Art”, Barbican Art Gallery, London, England
• “Manifesta 7”, Trentino, Italy
• “Uncoordinated”, Contemporary Arts Center, Cincinnati, OH
• “Untamed Paradises”, MARCO, Museo de Arte Contemporanea de Vigo, Vigo, Spain
• “Gravity”, Colección Ernesto Esposito, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Spain
• “Unruly History of the Readymade”, curated by Jessica Morgan, The Sixth Interpretation of the Jumex Collection, Mexico City, Mexico
• “What is My Name? a Project on the Incommunicability of Present Communication”, curated by Lorenzo Bruni, HISK Institute, Ghent, Belgium
• “Wall Rockets: Contemporary Artists and Ed Ruscha”, curated by Lisa Dennison, Flag Art Foundation, New York, NY
• “Red Wind, Blum & Poe”, Los Angeles, CA
• “Constraction”, curated by Kathy Grayson, Deitch Gallery, New York, NY
• “Art Unlimited”, Art Basel Art Fair, Basel, Switzerland
• “Legend”, Domain of Chamarande, France
• “Black Noise”, Centre National de l’Estampe et de l’Art Imprimé Maison Levanneur, Chatou, France
• “New York is Dead”, Gavin Brown’s Passerby, New York, NY
• “A New High in Getting Low”, John Connelly Presents, NY

2007

• “Accords Excentriques: Musiques et Arts Plastiques”, B.P.S. 22, Charleroi, Belgium
• “Moscow Biennial”, Lenin Museum, Moscow, Russia
• “The Idea of the Sun”, Peter Coffin, le Confort Moderne, Poitier, France
• “Learn to Read”, Tate Modern, London, England
• “ÉTATS (faites-le vous-même) / Grow Your Own”, Palais de Tokyo, Paris, France
• “Multimetica”, Mamco – Musée d´Art Moderne et Contemporain, Geneva, Switzerland
• “Black Noise. A Tribute to Steven Parrino”, Mamco - Musée d´Art Moderne et Contemporain, Geneva, Switzerland
• “A New High in Getting Low”, curated by John Connelly, Art News Projects, Berlin, Germany
• “Moscow Biennial of Contemporary Art”, Lenin Museum, Moscow, Russia
• “Peter Coffin, Adam McEwen, Michael Phelan”, Galerie Edward Mitterrand, Geneva, Switzerland
• “L’Amorce ou la Partition des Possibles (Sculptural bootlegs and remixed artworks)” curated by Davide Balula, L.I.A. Art Center, Grenoble, France
• “Ceci n’est pas… (This is not…)”, Sara Meltzer Gallery, New York, NY
• “Psychobotany: Revolutionary Breakthroughs in Human/Plant Communication”, curated by Aaron Gach, Machine Project, Los Angeles, CA
• ‘Out of Art”, Kunsthaus CentrePasquArt - Centre d’Art, Biel/Bienne
• “Palisadenparenchym”, Danese, New York City, NY
• “Quotidian”, Buia Gallery, New York, NY

2006

• “When Interwoven Echoes Drip into a Hybrid Body - an Exhibition about Sound, Performance and Sculpture”, Migros Museum für Gegenwartskunst, Zurich, Switzerland
• “The Impossible Landscape”, curated by Mark Godfrey and Jodie Vicenta Jacobson, University Gallery, University of Massachusetts, MA
• “Untitled (Treepants)”, Sculpture Park, Frieze Art Fair, London, England
• “Shape Without Form, Shade Without Colour, Paralysed Force, Gesture Without Motion”, Galleria Francesca Kaufmann Gallery, Milan, Italy
• “Dice Thrown (Will Never Annul Chance)”, curated by Joao Ribas and Becky Smith, Bellwether Gallery, New York, NY
• “Strange Powers, Creative Time”, curated by Laura Hoptman and Peter Eleey, New York, NY
• “Yes Bruce Nauman”, Zwirner & Wirth, New York, NY
• “Kamp K48”, John Connelly Presents, New York, NY
• “Bring the War Home”, organized by Drew Heitzler, QED Gallery, Los Angeles, CA; Elizabeth Dee Gallery, New York, NY
• “Peter Coffin, Anne Collier, and Eileen Quinlan”, United Artists Ltd., Marfa, TX
• “The Aleph, Sandroni Rey”, Los Angeles, CA
• “Supernova”, curated by Judicael Lavrador, Domaine Pommery, Reims, France
• “Draw a Straight Line and Follow It”, curated by Anna Gray, The Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY
• “Mystic River”, curated by Noah Sheldon, Southfirst Gallery, Brooklyn, NY
• “Insight Out”, The Wanas Foundation and Sculpture Park, Wanas, Sweden
• “Endless Summer”, curated Gyonata Bonvicini, West London Projects, London, England
• “It is, “what is it”?”, Andrew Kreps Gallery, New York City, NY
• “I Love My Scene”, curated by Jose Freire, Mary Boone Gallery, New York, NY
• “Happiness”, curated by Martin Germann as part of the 4th Berlin Biennial for Contemporary Art, Gagosian Gallery, Berlin, Germany
• “The Fact, Abstract”, curated by Claire Barliant, Dorsky Gallery, Long Island City, NY
• “Slow Burn”, curated by Jonah Freeman, Galerie Edward Mitterrand, Geneva, Switzerland
• “Dynasty”, curated by Amy Goldrich, Christopher Ho, Omar Lopes-Chahoud and Sara Reisman, Gallery MC, New York, NY
• “Deaf, from Audible to Visible”, Galerie Frank Elbaz, Paris, France

2005

• “Greater New York”, P.S.1/MoMA, Long Island City, New York, NY
• “Performa Biennial 05”, 24-Hour Incidental, the Swiss Institute, NY and WFMU radio, New York, NY
• “Different Wavelengths”, Tina Kim Fine Art, New York, NY
• “Excitations”, Andrew Kreps Gallery, New York, NY
• “Fuzzy Logic”, curated by Jackie Passmore, Bridgewater Hall Gallery, Manchester, England
• “Threshold”, curated by Diana Baldon, Max Wigram Gallery, London, UK
• The Zine UnBound - Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA
• “Desired Constellations”, Daniel Reich Gallery, New York, NY
• “There’s a City in My Mind”, South First Gallery, Brooklyn, NY
• “Breaking Ground”, curated by Jodie Vicente Jacobson, Horticultural Society of New York, NY
• “The Feraliminal Lycanthropizer”, curated by Craig Kalpakjian, Champion Fine Art, Los Angeles, CA
• “Good Titles from Bad Books”, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, FL
• “Post Notes”, Midway Contemporary Art, Minneapolis, MN
• “Lesser New York”, a Fia Backstrom production, New York, NY
• “Frisbee Exhibition”, Official Project of the Armory VIP Group, New York, NY
• “On the Beach”,vcurated by Justin Lowe.Printed Matter, New York, NY

2004

• “Beating About The Bush”, South London Gallery, London, England
• “Natural Habitat”, The Paine Art Center, Osh Kosh, WI
• “Collection (or, How I Spent a Year)”, curated by Bob Nickas, P.S.1/MoMA, Long Island City, NY
• “Boundless”, curated by Henry Hughes, Stenersenmuseet, Oslo, Norway; Changdong National Art Studio, Seoul, Korea
• “Slight of Hand, Lemon Sky Projects”, curated by Emily Wei and Haan Chau, Miami, FL
• “We Could have Invited Everyone”, curated by Robert Blckson, Reg Vardy Gallery, University of Sunderland, England
• “Blind Dates”, Sculpture Center, Long Island City, NY
• “The Liverpool Biennial, “Transparent Eyeball””, curated by Duncan Hamilton, Liverpool, England
• “Copy-art”, ICA London, England
• “The Yugoslav Biennal of Young Artists”, Konkordija Centre for Contemporary Culture, Vrsac, Belgrade
• “Open”, curated by Richard Torcia, Arcadia University Art Gallery, PA
• “Appendiks Bag Thiemers Magasin”, Copenhagen, Denmark
• “The Infinite Fill Group Show”, curated by Cori + Jamie Archangel, Foxy Production, New York, NY
• “Definitively Provisional”, Appendiks, Bag Thiemers Magasin, Copenhagen, Denmark
• “Cakewalk”, curated by Jen Denike, Ambrosino Gallery, Miami, FL
• “New Party: Markus Amm, Gerard Byrne, Peter Coffin, Dionisis, Kavallieratos, Rodrigo Novaes”, The Breeder, Athens, Greece
• “Works on Paper”, Southfirst Gallery, Williamsburg, Brooklyn, NY
• “Art in The Office”, curated by Matt Keegan, Global Consulting Group, New York, NY
• “Peter Coffin with Brett Milspaw, Jan Mancuska, Ara Peterson, Elif Uras”, Andrew Kreps Gallery, New York, NY
• “Household Psychedelics”, Fia Backstróm Productions, Brooklyn, NY
• “Coffin”, Lanz - Meagher, 2YK Galerie at Kunstfabrik, Berlin, Germany

2003

• “Kult 48 Klubhouse”, curated by Scott Hug, Deitch Projects, Williamsburg, NY
• “Teenage Rebel: The Bedroom Show”, Galerie du Jour, Agnes B., Paris, France
• “Peter Coffin”, Brewster Projects, Brewster, New York, NY
• “Definitively Provisional”, White Chapel Project Space, London, England
• “Karaoke Death Machine”, Daniel Reich Presents, New York, NY
• “Paintings, Drawings and Sculptures”, Greener Pastures Contemporary Art, Toronto, Canada
• “Putt-Putt Inferno”, here Gallery, New York, NY

2002

• “Emerging Artists Fellowship Exhibition”, Socrates Sculpture Park, LIC, New York, NY
• “Now More Than Ever”, Citylights Gallery, Melbourne, Australia
• “Free Manifesta”, Manifesta 4, Frankfurt, Germany

2001

• “Artpact”, sponsored by DAAD, The Flophouse, New York, NY
• “B-Hotel”, curated by Klaus Biesenbach, P.S.1/MoMA, Long Island City, NY

2000

• “Get Empty”, Regina Gouger Miller Gallery, The Purnell Center for the Arts, Pittsburgh, PA
• “Interchange: Simultaneity in Action”, John Adams Foundation for Art, Amsterdam, The Netherlands

1999

• “Interspatiality”, the Frame Gallery, Pittsburgh, PA
• “Inside/Outside with Birds”, The Andy Warhol Museum, Pittsburgh, PA
• “Deep6”, Ewart Gallery, Pittsburgh, PA

1998

• “Group Exhibit”, Kunst Seminar Akademie, the Haid, Metzingen, Germany
• Wats:on, the Forbes Gallery, Pittsburgh, PA

1997

• “The Abstract Word”, Barclay Gallery, Pittsburgh, PA
• “Work/Space: Visual Relations Incorporate”, Southern Exposure Gallery and associated corporate sites in the Financial District, San Francisco, CA; UC Davis; UC Irvine Galleries; College of Fine Arts Association New York Gallery; University of Rochester Gallery

SELECTED BIBLIOGRAPHY
2009

• Smith, Roberta. “Make Room for Video, Performance and Paint”. The New York Times. December 31.
• West, Kanye. “The UFO Project”. 7.17.09 kayneuniversecity.com
• Stephenson, Sarah. “Peter Coffin Goes Public”, Art In America.com, October 7
• Robecchi, Michele. “Acting to Pretend, Pretending to Act”. Mousse Magazine. Issue 17
• Vogel, Carol. “Where Flat Rules, Inside Art”, New York Times, September 18
• Glover, Michael. “Peter Coffin”, Art Review, Issue 33, Summer
• Cotton, Michael. “Peter Coffin”, Frieze, May
• Ward, Ossian. “Abstract America: New Painting and Sculpture”, Time Out London, June 4
• Campbell-Johnston, Rachel. “Altermodern: Tate Triennial 2009 at Tate Modern”. Times Online. February 3
• “Focus New York Artists Dictionary: Peter Coffin”, Flash Art, January - February
• The Radicant, Nicolas Bourriaud, Sternberg Press
• Utopics: Systems and Landmarks, Biel/Bienne, Switzerland, Edited by Simon Lamuniere
• The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York, NY
• In The Between, Egeran Art Advisory, Istanbul, Turkey, Curated by Suzanne Egeran
• Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press, London, England
• Member’s Magazine Spring/Summer 09, Aspen Art Museum, Aspen, Colorado
• Nature Nation, published by Museum on the Seam, Jerusalem, Israel, Curated by Raphie Etgar
• The Shape of Things to Come, published by the Saatchi Gallery, London
• Tate Triennial, published by the Tate Britian, London. Curated by Nocolas Bourriard
• Can I Come Over to Your House: The First Ten Years of The Suburban Edited by Michelle Grabner

2008

• Williams, Gilda. “Peter Coffin and Djordje Ozbolt”. ArtForum. October. p 394
• Choppin, Elizabeth. “Peter Coffin”. Art World Magazine. February - March.
• Kazakina, Katya. “Riffs on Rock Posters, Playful Primates, Chopped Limbs: Hot Art”. Bloomberg.com. April 11
• Berardini, Andrew. “Peter Coffin”. Art Review Magazine, Issue 21, April
• Saltz, Jerry. “Critic’s Pick: Peter Coffin ‘You Are Me’”. New York Magazine Online. April 11.
• “Peter Coffin”. The New Yorker. April 21.
• Smith, Roberta. “Peter Coffin You Are Me”. The New York Times. April 25.
• Champenois, Michele. “Flânerie arty ý Miami”. Le Monde. March.
• Orden, Abraham. “What Sticks”. Bing Magazine. Dec - March
• Blind Spot, Issue 38, pg. 9 -14
• The Possibility of an Island, MOCA, Miami, FL
• An Unrule History of the Readymade, Jumex Collection, Ecatapec, Mexico
• Untitled (UFO), The Journal, Brooklyn, NY
• Wall Rockets, The FLAG Art Foundation, New York, NY
• Paraisos Indomitos/Untamed Paradises, Curated by Virginia Torrente. Marco Fundacion at the Museo de Arte Contemporanea de Vigo, Vigo, Spain

2007

• Rosenberg, Karen. “At Fairs by the Beach, The Sands of Creativity.” The New York Times. December 8, 2007. p. B7
• Wolff, Rachel. “Young Masters”. New York Magazine. October p. 54
• Cattelan, Maurizio. “Peter Coffin, A Heap of Language”. Flash Art. October. p.106-110.
• Smith, Roberta. “Peter Coffin: Tree Pants”. The New York Times. August 31, p.E26
• O’Niell-Butler, Lauren. “Peter Coffin”. Time Out New York. Issue 621, August
• Schwendener, Martha. “Palisadenparenchym”. The New York Times. August 3, p. E31
• Cotter, Holland. “Ceci nest pas…”. The New York Times. August 3, p. E31
• Schmidt, Daniel. “Curators Voice:Palisadenparenchym-Daniel Schmidt, Curator, Danese Gallery”. nyartsmagazine. com, July
• “Mitterand + Sana, Adam McEwen - Peter Coffin - Michael Phelan”. Zürich sur la Terre. Nummer 5, Summer
• Triming, Lee. “Peter Coffin” Flash Art. Issue No.354, May - June, p.136
• “Music for Living Entities”. Domus. May
• Gygax, Raphael. “Peter Coffin”. Contemporary. Issue #91, p. 32-35.
• Eleey, Peter. “Peter Coffin: Disparate Models; abstraction and mysticism, curiosity and skepticism”. Frieze. Issue 106 April
• Greenberg, Kerryn. “Peter Coffin”. Modern Painters. April, p.99.
• Hall, Emily. “Quotidian”. Artforum.com. March 21
• “Poetry is the Antimatter of Consumer Society”. Palais de Tokyo /Magazine 02, p. 14-15
• “Grow your own”. Palais de Tokyo /Magazine 02, p.73-79
• Saltz, Jerry. ”Non-Specific Objects”. Modern Painters. March,p.32-34
• Bell, Eugenia. Critics Pick. Artforum.com. February 16
• “Brooklyn Artist Sees London, Sees France”. Modern Painters. February.
• “Music for Living Entities”, Domus, May
• “Peter Coffin & Maurizio Cattelan in Conversation”, Wrong Times, edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick.
• “Peter Coffin & Miranda July in Conversation” Wrong Times, edited by Maurizio
• Cattelan, Massimiliano Gioni and Ali Subotnick
• Performa, New Visual Art Performance, edited by Roselee Goldberg
• Moscow Biennial: footnotes on geopolitics, market, and amnesi, Lenin Museum, Moscow artchronika

2006

• Doran, Ann. “Dice Thrown”. Time Out, New York Issue 579. November 2-28
• “Dice Thrown (Will Never Annul Chance)” The New Yorker. November 6
• Smith, Roberta. “Dice Thrown (Will Never Annul Chance)”. New York Times November 3, pg.3E
• Gronlund, Melissa. “Organ Grinder”. Art Review, September
• Saltz, Jerry. “The Whole Ball of Wax”. The Village Voice, September 7
• Schwendener, Martha. “Yes Bruce Nauman”. Time Out New York, 147, September 7 – 13
• Cohen, David. “A Chorus of ‘Yes’ in Homage to the King of ‘No, No, No’ “. New York Sun, August 14
• Smith, Roberta. “The Body, Electric and , Yes, Videotape”. The New York Times. August 4
• Schwartz, Nicolene. “Object Lesson: Observation Validates Peter Coffin Universe”. Anthem Magazine. July - August
• Harden-Guest, Anthony. “Under the Influence”. FT Weekend. July 29
• “Migros Musem fur Gegenwartskunst” .La Liberte Online. January
• “Les sens au Musee”. Migros-Magazine Gesamtausgabe f.Zurich. January
• Von Basting, Barbara. “Die Motte als Perkussionistin”. Tagesanzeiger. February
• Bernard, Etienne. “Zodiaque”. Zerodeux. Issue 37, p. 50
• Gobbo, Stephane. “Musique et art, du flirt a l’expo”. Le Courrier. Geneve. March
• Kuni, Verena. “While Interwoven Echoes Drip into Hybrid Body ‚ An Exhibition about Sound, Performance and Sculpture in migros museum”. Kunstbulletin. March
• “Migros Museum”. tema celeste. March
• Debailleux, Henri-Francois”. A ecouter avec les yeux”. Liberation. Saturday, Sunday April 2nd
• B.B. “Deaf”. Le Monde. Saturday April 1st
• “Deaf”. Spoon. March-April
• “New York Reprtage, Peter Coffin”. Monopol, May
• Socrates Sculpture Park. Edited by Alyson Baker and Ivana Mestrovic. Yale University Press, New Haven and London
• Draw a Straight Line and Follow It. The Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY. Catalogue edited by Anna Gray
• Mystic River, edited by Noah Sheldon. Catalogue for Mystic River at SouthFirst Gallery, NY
• Supernova, Experience Pommery #3, Beaux Arts Magazine Catalogue. edited by Paul-Francois Vranken and Judicael Lavrador
• Insight Out, Wanas Foundation Catalogue. edited by Linda Rydberg and Marika Wachmeister
• When Interwoven Echoes Drip into a Hybrid Body. Catalogue for the Exhibition at the Migros Museum für Gegenwartskunst, Zurich. Edited by Curators Heike Munder and Raphael Gygax Dynasty. Catalogue for an Exhibition Modeled After the Dynamic of Multigenerational Families. edited by Amy Goldrich, Christopher Ho, Omar Lopes-Chahoud and Sara Reisman

2005

• Huberman, Anthony. “Missing in Action”. Art Review Magazine. November p 116-119
• Ho, Christopher K. “Greater New York 2005”. Modern Painters International. May
• Greater New York Catalogue. P.S.1/MoMA
• Wrong Times “Peter Coffin & Maurizio Cattelan in Conversation”. Edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick

2004

• Pollack, Maika. “Peter Coffin”. Flash Art. November-December
• Kelly, James J. “Matter: The Material of Sculpture”. The Sculptural Idea. pp.67 (4th Edition Illinois: Waveland Press)
• Cotter, Holland. “Sampling Brooklyn, Where Eclectic Flames Continue to Flicker”. The New York Times. January 23
• Transparent Eyeball, Liverpool Biennial, 2004. edited by Duncan Hamilton
• Jugoslovenski Bijenale Mladih 2004 Vrsac. Jos Uvek Bez Naziva
• Untitled As Yet. Svebor Midzic.
• Collection Diary. Catalogue to accompany “How I Spent a Year” at PS1/MoMA, LIC, New York. Curated by Bob Nickas. Published by JRP/Ringier, Zurich, Switzerland

2003

• Wilson, Peter. “Intersections: Art and New York Green”. Paper Sky Magazine. Summer
• Pollack, Maika. “’Karaoke Death Machine’ at Daniel Reich”. Flash Art. May/June.
• Keenan, David. “Black Dice”. The Wire. March
• Fujieda, Manami. “Very New York!” issue. BT Magazine. January
• Licht, Alan. “2002 Rewind, Alan Licht’s Pros”. The Wire. January
• Fox, Dan. “The Sound of Speed”. Frieze. January/February
• Not Another Magazine. (featured piece). February
• Journal of Reproducible Art. featured “Barcode Piece”. April
• KintiKnit #2 Kult 48. (featured artwork)

2002

• Lee, David. “New York Artists: Peter Coffin”. adm. June
• Koether, Jutta. “Walk-In Collage”. Texte Zur Kunst. June
• Fujieda, Manami. “Sound Art”. BT Magazine. Spring
• Liese, Jennifer. “Not for Nothing”. Ten x Ten Magazine. May
• Gioni, Massimiliano. “New York Cut Up”. Flash Art. May
• Finch, Charlie. “From Harlem to MoMA”. Artnet.com. May 11
• “Critics Pick”. Time Out New York. April 11-18
• “Peter Coffin”. Time Out New York. April 11-18
• Newhall, Edith. “Top Five: Team Efforts”. New York Magazine, April 9
• Rigney, Dan. “Artists Take Back The Streets”. Boog City. April 8
• Johnson, Ken. “Peter Coffin”. The New York Times. April 5
• Zuniga, Ricardo Miranda. “Perfect If On at Andrew Kreps”. the Spleen. April 4
• Levin, Kim. “Peter Coffin”. The Village Voice, April 16
• Wong, Sherri. “Bonus Biennials”. Artnet.com. March 21
• “Curb Your Consumption”. Adbusters, Journal of the Mental Environment. September/October