Curriculum Vitae

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BORN
1945–2003, Montreal, Canada

EDUCATION
1969 BFA, Chouinard Art Institute, Los Angeles, CA
1972 MFA, California Institute of the Arts, Valencia, CA

SELECTED SOLO EXHIBITIONS
2008

• Mitchell-Innes & Nash - West Street, New York, NY

2005

• “Jack Goldstein Films Records Paintings”, Mitchell-Innes & Nash - Madison Av, New York, NY
• “Jack Goldstein Paintings 1980 – 1985”, Metro Pictures Gallery, New York, NY

2004

• Presentation House Gallery, North Vancouver, Canada
• Galerie Daniel Buchholz, Cologne, Germany

2003

• “Jack Goldstein Early Paintings 1979-1983”, 1301PE, Los Angeles, CA

2002

• “Jack Goldstein Films and Performance”, Whitney Museum of American Art, New York, NY
• “Jack Goldstein Paintings from the 1980’s”, Luckman Gallery, Los Angeles, CA
• Kunstverein in Hamburg, Hamburg, Germany
• MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble, France

2001

• 1301PE, Los Angeles, CA

2000

• Galerie Daniel Buchholz, Cologne, Germany

1999

• Galerie Kienzle & Gmeiner, Berlin, Germany

1992

• The Power Plant, Toronto, Canada

1988

• Fruitmarket Gallery, Edinburgh, Scotland

1986

• Metro Pictures Gallery, New York, NY

1985

• Metro Pictures Gallery, New York, NY

1983

• Metro Pictures Gallery, New York, NY
• Lisson Gallery, London, England

1981

• Metro Pictures Gallery, New York, NY

1980

• Metro Pictures Gallery, New York, NY

1979

• “Two Boxers”, Sporthal Selwerd Eikenlaan, The Groningen Arts Festival, Groningen [performance]
• Sound Performance, The Institute for Art and Urban Resources, P.S. 1, New York, NY [performance]

1978

• “The Jump”, The Kitchen, New York, NY [performance]

1977

• “Burning Window”, Centre d’Art Contemporain, Geneva, Switzerland [performance]
• “Two Fencers”, Centre d’Art Contemporain, Geneva, Switzerland [performance]
• “The Murder”, The Groningen Museum, Groningen, The Netherlands [performance]

1976

• “Body Contortionist”, Artist Space, New York, NY [performance]

1972

• Rico Mizuno Gallery, Los Angeles, CA [performance]

SELECTED GROUP EXHIBITIONS
2009

• “NEWAGERIOT”, Country Club, Los Angeles, CA
• “The Pictures Generation, 1974–1984”, The Metropolitan Museum of Art, New York, NY
• “Art and Illusion: Selections from the Frederick R. Weisman Art Foundation”, Susquehanna Art Museum, Harrisburg, PA

2008

• “Sack of Bones (Los Angeles)”, Peres Projects Los Angeles, Los Angeles, CA
• “Ideas of Landscape/ Landscape of Ideas 2”, Musée d´art contemporain de Montréal, Montreal, Canada
• “Approximately Infinite Universe”, New Jersey, Basel, Switzerland
• “Painting Now and Forever Part II”, The Greene Naftali Gallery, New York, NY
• “Not So Subtle Subtitle”, Casey Kaplan Gallery, New York, NY
• “Blasted Allegories”, Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Luzern, Switzerland
• “Im Lichte milder Verklärung”, Galerie Kienzle & Gmeiner, Berlin, Germany
• “Beautiful People”, Centre d’Art la Panera, Lérida, Spain
• “Art Metropole: The Top 100”, MSVU Art Gallery, Halifax, Canada

2007

• “Shandismus”, Kunsthaus Dresden, Dresden, Germany
• “Von Bill Viola bis Aernout Mik”, Hamburger Bahnhof Museum für Gegenwart, Berlin, Germany
• “Klio - Eine kurze Geschichte der Kunst in Euramerika nach 1945 – ZKM”, Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany
• “Beautiful People et la Blessure Secrète”, Crac Alsace, Altkirch, France
• “The California Files - Re-Viewing Side Effects of Cultural Memory”, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
• “War and Discontent”, Museum of Fine Arts, Boston, MA
• “Shandyismus. Autorschaft als Genre”, Wiener Secession, Vienna, Austria
• “REALLIFE 1979-1990”, Artists Space, New York, NY

2006

• “Super Vision”, Institute of Contemporary Art, Boston, MA
• “Radical NY! The Downtown show: the New York art scene, 1974-1984 and abstract expressionism: 1940-1960”, Austin Museum of Art, Austin, TX
• “Spiralen der Erinnerung”, Kunstverein in Hamburg, Hamburg, Germany
• “Eldorado”, Musée d’Art Moderne Grand-Duc Jean, Luxembourg
• “Galerie Daniel Buchholz Köln”, Metro Pictures Gallery, New York City, NY
• “The Downtown Show: The New York Art Scene, 1974–1984”, The Andy Warhol Museum, Pittsburg, PA, Grey Art Gallery, New York, NY
• “The Trace Of A Trace Of A Trace”, Perry Rubenstein Gallery, New York, NY

2005

• “Flashback - Revisiting the Art of the Eighties”, Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung, Basel, Switzerland
• “100 Artists See God”, Contemporary Art Center of Virginia, Virginia Beach, VA

2004

• “100 Artists See God”, Institute of Contemporary Arts, London, England
• “Tear Down This Wall: Paintings From The 1980s”, MOCA, Los Angeles, CA
• “The Big Nothing”, Institute of Contemporary Art, Philadelphia, PA
• “.ipeg”, bild.ton.maschine - Künstlerhaus Bethanien, Berlin, Germany
• “2004 Whitney Biennial”, Whitney Museum of American Art, New York, NY

2003

• “The Eighties - Part II: USA”, Galerie Bernd Klüser, Munich, Germany
• “FATE OF ALIEN MODES”, Wiener Secession, Vienna, Austria
• “Ameri©an Dre@m: A Survey”, Ronald Feldman Fine Arts Inc, New York, NY

2001

• “Timewave Zero / The Politics of Ecstasy”, Grazer Kunstverein, Graz, Austria
• “Pictures”, Artists Space, New York, NY
• “White Light”, University Galleries at Illinois State University, Normal, IL

1990

• “Broken Music”, Musée d´art contemporain de Montréal, Montreal, Canada

1987

• “documenta 8”, Documenta, Kassel, Germany
• “CalArts - Skeptical Belief(s)”, The Renaissance Society at The University of Chicago, Chicago, IL

1986

• Metro Pictures Gallery, New York City, NY
• “Signs of Painting”, Metro Pictures Gallery, New York, NY

1985

• “Selected Works”, Metro Pictures Gallery, New York, NY
• Metro Pictures Gallery, New York, NY

1984

• Metro Pictures Gallery, New York City, NY
• “Artists Call Against U.S. Intervention in Central America”, Metro Pictures Gallery, New York, NY

1983

• Metro Pictures Gallery, New York City, NY

1982

• “documenta 7”, Documenta, Kassel, Germany
• “The Atomic Salon”, Ronald Feldman Fine Arts Inc, New York, NY
• Metro Pictures Gallery, New York, NY
• “A Fatal Attraction - Art and the Media”, The Renaissance Society at The University of Chicago, Chicago, IL
• “Painting”, Metro Pictures Gallery, New York, NY

1981

• “Drawings”, Metro Pictures Gallery, New York, NY

1980

• “Opening Group Show”, Metro Pictures Gallery, New York, NY
• “A Sound Selection: Audio Works by Artists”, Contemporary Arts Museum, Houston, TX

PUBLIC COLLECTIONS

• Art Gallery of Nova Scotia Halifax, Halifax, Canada
• FRAC - Nord-Pas de Calais, Dunkerque, France
• FRAC - Rhône-Alpes, IAC - Institute d`art contemporain, Villeurbanne, France
• Städtische Galerie Erlangen, Erlangen, Germany
• MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg
• Museu d´Art Contemporani de Barcelona - MACBA, Barcelona, Spain
• Nora Eccles Harrison Museum of Art, East Logan, UT
• MOCA, Los Angeles, CA
• Broad Contemporary Art Museum, Santa Monica, CA

GRANTS
1992

• Pollock-Krasner Foundation

1990

• American Institute of Architecture

1983

• National Endowment of the Arts, Visual Arts

1975

• New York State Council of the Arts

1974

• Canada Council Grant, Visual Arts Award

1973

• National Endowment for the Arts, Visual Arts

BIBLIOGRAPHY
2003

• Jack Goldstein, “Obituaries,” Art In America, New York, May. p.166.
• Chrissie Iles, “Vanishing Act”, Artforum, New York, pp.23-24.

2002

• Jan Tumlir, “Jack Goldstein”, Artforum, New York, Jan. p.64.
• “Goldstein au Magasin”, L’Essential de Grenoble, Grenoble, Jan. p. 56.
• “Phonix aus der Asche”, Frame, Vienna , January – March. p.118.
• S .P., “Goldstein, le son et l’image”, Sortir, Grenoble, February 13-20.
• Emmanuel Grandjean, “Jack Goldstein resort en Magasin”, Tribune de Geneve, Switzerland, February 16-17. p.15.
• Olivier Michelon, “Rester a la surface des choses”, Le Journal des Arts, Paris, February 22 – March 7. p.2.
• Sotris Kyriacou, “Jack Goldstein,” Contemporary, London, February. p.12
• “Jack Goldstein,” Isere Magazine, Grenoble, February. p.11
• “Expos,” Bloc Notes (MAPRA), Lyon, February. p.42
• Jean-Louis Roux, “De la distance, de l’absence et de la deception,” Les Affiches de Grenoble, Grenoble, March 1. p.109.
• Genevieve Breerette, “Jack Goldstein sur le boulevard du Crepuscule,” Le Monde Paris, March 5. p.31.
• Hugo Gaspad, “Inclassable,” Le Petit Bulletin, Grenoble, March 6-13. p.5
• “Jack Goldstein revient a Grenoble,” Tribune de Geneve, Geneve, March 30-31. p.30
• Vreonique d’ Auzac de Lamartinie, “Jack Goldstein, retro-projection,” Beaux Arts magazine, Paris, March. p.35.
• Celine Perruche, “Electrochoc,” DS, Paris, March. p.28
• Jean Pagneux, “Jack Goldstein au Magasin,” Le Travailleur Alpin, Grenoble, March. p.30.
• Anaid Demir, “Resistance,” Jalouse, Paris, March. p.30.
• Judicael Lavrador, “Jack Goldstein,” Upstreet, Paris, Spring. p.124
• Jack Skillen, “Jack Goldstein,” The Cat’s Eye Europe, Paris, Spring. p.21
• “Jack Goldstein,” Critique d’art, Chateaugiron, Spring. p.90
• S.P. “Un parcours proteiforme,” Le Dauphine Libere, Grenoble, April 18. p.7
• Agenda, “Jack Goldstein,” Art Actuel, Paris, March-April. p.54-55
• Francoise-Claire Prodhon, “Depuis le debit des annees 1970, ...”, AD Paris, April. p.45
• PEN, “Voyages interieurs,” Tetu (agenda), Paris, April. p.48
• Damien Sausset, “Goldstein, un heros de l’art american” L’Oeil, Paris, April. p.84
• “Jack Goldstein,” Air France Magazine, Paris, April. p.148
• Nicholas Audureau, “Jack Goldstein: un art defigure,” Parpaings, Paris, April. p.20-21
• Morgan Falconer, “Jack Goldstein,” Art Monthly, London, April. p.33-34
• Christian Holler, “Produktion des Verscheindens” Springerin, Vienna, April. p.46-49
• B.L., “Goldstein impact,” Connaissancedes arts, Paris, April. p.24
• V. d’Auzac de Lamartinie, “Jack Goldstein,” Para-para (suppl. Parachute), Montreal, April-June. p.2-3
• “Revelation de structures,” Movement, Paris, April-June. p.139
• David Pagel, “Artist on a Daring Mission,” Los Angeles Times, Los Angeles, June 1. p.F2
• Peter Frank, “Jack Goldstein, “ L.A. Weekly, Los Angeles, June 21-27. p.156
• Ed Halter, “Jack Goldstein Returns to New York: Circles of Light,” The Village Voice, New York, July 9.
• Johanna Burton, “Might as well jump” Time Out New York, New York, August 1-8. p.51

2001

• Dorn, Anja: “Jack Goldstein,” Metropolis M, No.1, February-March, p.51
• Fisher, Jean/Santacatterina, Stella: “Figuring difference- The work of Jack Goldstein,” in Afterall, Issue 4, pp.28-39
• Holert, Tom: “Managing fascination _ Jack Goldstein, Hollywood and the desire for control,” in Afterall,
  Issue 4, pp.40-47
• Kempkes, Anke: “Jack Goldstein, Galerie Daniel Buchholz, Cologne,” in Frieze, Issue 58, April, p.94-95
• “Pictures at an Exhibition,” in The New Yorker, 18-25, June
• Rimanelli, David: “Signs of the Time,” in Artforum International, October. p.130-132 (Cover)
• Rothkopf, Scott: “Hit or Myth,” in Artforum International, October. p.133-134 (Cover)
• Smith, Roberta: “When Photography became Postmodern,” The New York Times, June 29th
• Wege, Astrid: “Seine Aussprache macht das Verstehen so Scweierig,” in: Texte zur Kunst, vol.11, Issue 41, March, p. 172-176
• Wehr, Anne: “deja view,” in: Time Out, New York, no. 295, 17-24, May
• Cranston, Meg: “Haunted by the Ghost: Jack Goldstein then and now,” in: Art & Text, no.75, November–January. p.58-65
• Meyer, James: “Best of 2001,” in: Artforum International, December. p.106-134 (Cover)

2000

• Roos, Renate: “Ganzheit und Einheit durch Hyperrealitat- Jack Goldstein: Filme, Schallplatten, Bucher: Galerie Daniel Buchholz, Koln” in Kolner Stadt Anzeiger, December No.298

1994

• “Artists and Apprentices,” Art in America, February

1992

• Nancy Tousley, “Jack Goldstein,” Mendel Art Gallery, Art Review, November 3
• John Bentley Mays, “Collision of Cultures,” The Globe and Mail, Toronto, July 4
• Nancy Toulsey, “Goldstein Like a Dazzling Dream,” Calgary Herald, Feb 25
• Kate Taylor, Art Review, The Globe and Mail, Toronto, Sept

1991

• “Excerpts from Totems: Selected Writings, 1988-1990 by Jack Goldstein, MVS Magazine, Toronto, Winter 91/92 edition
• Stuart Ewan on the Gulf War: A Report from The Couch, Artforum International, March, Illus. p.13
• “American Art of the 80s,” Trento, Italy, Catalogue essay by Jerry Saltz Retrospective Catalogue, The Mendel Art Gallery, Canada, Introduction essays by Bruce Grenville and Fiona McLeod
• Los Angeles Times, April 4, Art Review by Cathy Curtis

1990

• Jean Segal, Art Discourses: The 80s, New York, various essays
• Linda Genereux, “Post-modernist Discoursing,” October
• Suvan Geer, “Galleries,” The Los Angeles Times, June23
• Christopher Knight, Los Angeles Herald Examiner, June 23

1989

• Gordon Lebrendt, “See the Pictures Come to Read You,” C. Magazine, Toronto, Canada
• Sol Ostrow, “Diagrams and Surrogates, “Exhibition catalogues, Shea and Becker Art Gallery, New York
• “Artists of the 80s,” Selected works from the Maslow Collection, Exhibition Catalogue, Sardoni Gallery, Wilkes College, PA. Text by Jack Goldstein
• Barry Rosenberg, “Technical Abstraction,” exhibition catalogue, Wright University Art Gallery, OH
• “Tellus,” The Audio Cassette Magazine, #21, New York
• John Zinsser, “Jack Goldstein at John Weber,” Art in America
• Suzanne Siesin, “Where Contemporary Arts is the Decor,” New York Times, Feb 2
• “Forest of Sign,” Exhibition catalogue, Museum of Contemporary Art, Los Angeles Exhibition catalogue, Simon Salama, Caro Gallery, London, England

1988

• “Opening,” Arts and Antiques, Jan p.32
• William Wilson,, “The Galleries,” The Los Angeles Times, April 1
• Christopher Knight, “Brilliant Paradox. Los Angeles Herald Examiner, April 8
• Gordon Lebrendt, “See the Painting Comes to read you,” retrospective exhibition catalogue

1987

• Roberta Smith, “New Art,” The New York Times, May 1
• Maja Damajanovic and Ronal Jones, exhibition catalogue, essays, John Weber Gallery, New York
• Klaus Ottoman, “A Different Corner,” Ecuador Biennial catalogue
• Rosetta Brooks, Catalogue essay in L’Epoque, Le Monde, La Passion, Centre d’art Contemporain, George Pompidou, Paris, France
• “Beyond Boundaries,” edited by Jerry Saltz, Alfred Van Der Mark Editions, New York
• Shaun Caley, “L’Epoque, La Monde, La Morale, La Passion, at Georges Pompidou,” Flash Art Magazine, Oct/Nov
• Jack Bankowsky, “Jack Goldstein,” Art Interview, Journal of Contemporary Art, New York
• Ronald Jones, “Material Fictions,” exhibition catalogue, 49th Parallel Gallery, New York, NY
• Jude Schwendenwein, Artscribe International, review, Nov/Dec
• Peter Frank, “New, Used and Improved Act for the 80s,” p. 14-18, 45,46, Abbeville Press, New York, NY
• David Rubin, “Computer Assisted, “exhibition catalogue, Freedman Gallery, Albright College, Reading, PA
• “Art After Modernism: Rethinking Representation,” exhibition catalogue, The New Museum, New York, NY
• Quoted in “Theorizing Post Modernism,” by Roland Barthes, and “Pictures Generation,” by Douglas Crimp, illustrations on page 175 and 190.

1986

• Rosetta Brooks, Artforum Magazine, June
• Rosetta Brooks, Flash Art, June
• Hal Foster, “New Abstraction,” Art in America, June, cover reproduction
• Lisa Phillips, High Art and Textile, Summer, p.25
• Don Cameron, “Report from the Front,” Arts Magazine, Summer
• Ellen Handy, “Art Review,” Artforum Magazine, October, p.116
• Peter Drake, “Art Review,” Flash Art Magazine, Spring, p.54
• Carlo McCormick, “Art Review,” Artforum, October, p.130
• CEPA Quarterly, Fall, p.8-9, Buffalo, NY
• Richard Hunington, Buffalo Evening News, Review, October 5
• Rosetta Brooks, “Space Editions,” Flash Art, Dec/Jan, p.78-80

1985

• Jean Fisher, Jack Goldstein, exhibition catalogue, Stadtisches Galerie Erlangen, West Germany
• Eleanor Heartney, “Jack Goldstein,” Cash/Newhouse Gallery, Art News Magazine, March, p.144-145
• Therese Lichtenstein, “Jack Goldstein,” Arts Magazine, March, p.37
• Jean Fisher, “Art review,” Artforum, March, p.96-97
• Arts Magazine, “Album”

1984

• Thresa Annas, “Small Chrysler Exhibit Large on Symbolism,” review Virginia Pilot and Ledger Star, Feb. 9
• Linda McGreevy, “Art and Orwell,” Port Folio, Virginia, Feb 7
• Robert Kleyne, “Protective Mimicry,” Vanguard, March, p.24-30
• Carly Lovelace, “California Institute of the Arts and Rematerialization of the Art Object,” High Performance no. 25
• Umgang mi der aura, Exhibition Catalogue, Stadtisches Galerie Regensberg, Edition Howeg, West Germany
• Linda Cathcart, “A Decade of New Art,” Exhibition Catalogue, Artists Space, New York
• “Drawings: After Photography,” Exhibition Catalogue, Independent Curators Inc., New York
• “Art 83/84: World Art Trends,” edited by Jean Louis Pradel, Jacques Legrand, International Publishing, Paris, France p.168
• Kynaston McShine, “An International Survey of Recent Painting and Sculpture,” Exhibition Catalogue, Museum of Modern Art, New York, p.150-151
• Thomas Lawson, “Interference on the Line,” Contemporary Perspectives 1984, Exhibition Catalogue, Bucknell University, Lewisburg, PA
• “An International Survey of recent Painting and Sculpture,” Art News, May

1983

• Roberta Smith, “Jack Goldstein’s Flashes of Light,” The Village Voice, April 5, New York
• Klaus Honnef, “Jack Goldstein,” Kunstforum Magazine, June p.38-39
• Mick Hartney, “Jack Goldstein,” Art Monthly, no.67, London, June, p.15-16
• Flavio Carroll, “La Forme e l’informe,”exhibition catalogue, Three Rivers Arts Festival, Pittsburgh, PA
• Marjorie Allthorpe-Guyton, “Jack Goldstein,” Arts review magazine, London, June 24
• Jack Goldstein, “Mind over Natter,” Effects, no.1, New York, Summer, p.9
• Michael Compton, “New Art,” exhibition catalogue, Tate Gallery, London
• Merope Lolis, “Twin Desires,” ZG Magazines, London, England
• Klaus Honnef, “Back to the USA,” exhibition catalogue
• Kunstmuseum, Lucerne and Rhinisches Landsmuseum, Bonn, West Germany
• Jean Fisher,”Jack Goldstein/The Trace of Absence,” Artforum, November, p.60-63
• Grace Glueck, “Artists who Scavenge from the Media,” The New York Times, January 9, p.29-30
• Peter Bode, “Eine Scone Datastrophe,” Abenzeitung, Munich, West Germany, Feb 9
• Peter Schjeldahl, “Falling in Style: The New Art and Our Discontent: Vanity Fair, March
• Jack Goldstein, “Schone Vis a Vis,” Bulltin Minestrial d’Art Contemporain, Cover Illustration, Brussels, Belgium, p.6-10

1982

• John Hutton, “Art Review,” Arts Magazine, January
• Deborah Phillips, “Jack Goldstein at Metro Pictures,” Art News, January
• Craig Owen, “Back to tech Studio,” Art in America, January
• Peter Schjeldahl, “Mind Over Matter,” The Village Voice, New York, March 9
• Sakia Bos, “Icarus in Jet Tijdperk Van de Ruimte Vaart,” Kunstschrift, Holland, January/February
• Helen Kontova, “From Performance to Painting,” Flash Art Magazine, Feb/March
• The Mystic Lamb, Text by Fluvio Salvadon, Painting by Jack Goldstein Centre d’Art Contemporain, Geneva, Switzerland
• Paul Richard, “Art and the Question of Borrowing,” The Washington Post, April 2
• Helene Weiner, exhibition catalogue, essay, California Institute of the Arts, Valencia, CA
• Flavio Caroli, “Magico Primario,” Gruppo Editoriale Fabbri, Milano, Italy
• Valerie Smith, Art Review, Flash Art Magazine, May
• Richard Armijo, “Art Review,” The East Village Eye, New York, NY
• “A Fatal Attraction: Art and the Media,” The Renaissance Society of the University of Chicago
• Ausstellungskatalog, Documenta 7, Telle 1 and 2, Kassel, West germany
• Anne Rorimer, “74th American Exhibition,” The Art Institute of Chicago, Artforum, October, p.74-76
• Roselee Goldberg, “Post TV Art,” Portfolio Magazine, July/Aug p.76-79
• Judith Kirschner, “74th American Exhibition,” The Art Institute of Chicago, Artforum, October p.74-76
• Paul Schimmel, Exhibition Catalogue, essay, “Shift LA/NY,” Newport Harbor Art Museum, CA
• Janet Kardon, Exhibition Catalogue, “Image Scavengers: Painting,” Institute of Contemporary Art, University of Pennsylvania
• “Documenta 7 - Ein Rundgang,” in Kunstforum, Cologne, Germany, Sept/Oct

1981

• Helene Weiner, Exhibition Catalogue, essay, California Institute of the Arts, Valencia, California
• Carter Ratcliff, “Jack Goldstein at the Kitchen,” review, Art in America, January
• Valentine Tartransky, “The Opening of Metro Pictures,” Flash Art Magazine, March/April
• Richard Flood, Art Review, ArtForum Magazine, March
• Kim Levin, Art Review, Flash Art Magazine, March/April
• Douglas Crimp, “The Photographic Activity of Post Modernism”
• “Wierderabdruck in Performance,” Les Editions Parachute Magazine, Montreal, Canada, October Germano Celant, Impressionismo America,” Bonini Editore, Benoa, Italy
• Kasper Konig, Exhibition Catalogue, “Westkunst Heute,” Mussen der Stadty Koln, West Germany
• Dan Graham, “The End of Liberalism,” ZG Magazine, no.2, London
• Thomas Lawson, “The Last Exit Painting,” Artforum Magazine, October
• Grace Gleuck, “Art Review,” The New York Times, October 9
• Roberta Smith, “Art Review,” The Village Voice, New York, October 21
• Kay Larson, “Fear of Style,” New York Magazine, October 9
• Rosetta Brooks, “Life in Space: An Examination of the Work of New York Artist Jack Goldstein,” ZG Magazine, no.3, London
• Claude Gintz, “One Season in New York,” Artists October/November
• “Michael Newman Talks to Jack Goldstein,” ZG Magazine, no. 3, London

1983

• Roberta Smith, “Jack Goldstein’s Flashes of Light,” The Village Voice, April 5, New York
• Klaus Honnef, “Jack Goldstein,” Kunstforum Magazine, June p.38-39
• Mick Hartney, “Jack Goldstein,” Art Monthly, no.67, London, June, p.15-16
• Flavio Carroll, “La Forme e l’informe,”exhibition catalogue, Three Rivers Arts Festival, Pittsburgh, PA
• Marjorie Allthorpe-Guyton, “Jack Goldstein,” Arts review magazine, London, June 24
• Jack Goldstein, “Mind over Natter,” Effects, no.1, New York, Summer, p.9
• Michael Compton, “New Art,” exhibition catalogue, Tate Gallery, London
• Merope Lolis, “Twin Desires,” ZG Magazines, London, England
• Klaus Honnef, “Back to the USA,” exhibition catalogue
• Kunstmuseum, Lucerne and Rhinisches Landsmuseum, Bonn, West Germany
• Jean Fisher,”Jack Goldstein/The Trace of Absence,” Artforum, November, p.60-63
• Grace Glueck, “Artists who Scavenge from the Media,” The New York Times, January 9, p.29-30
• Peter Bode, “Eine Scone Datastrophe,” Abenzeitung, Munich, West Germany, Feb 9
• Peter Schjeldahl, “Falling in Style: The New Art and Our Discontent: Vanity Fair, March
• Jack Goldstein, “Schone Vis a Vis,” Bulltin Minestrial d’Art Contemporain, Cover Illustration, Brussels, Belgium, p.6-10

1982

• John Hutton, “Art Review,” Arts Magazine, January
• Deborah Phillips, “Jack Goldstein at Metro Pictures,” Art News, January
• Craig Owen, “Back to tech Studio,” Art in America, January
• Peter Schjeldahl, “Mind Over Matter,” The Village Voice, New York, March 9
• Sakia Bos, “Icarus in Jet Tijdperk Van de Ruimte Vaart,” Kunstschrift, Holland, January/February
• Helen Kontova, “From Performance to Painting,” Flash Art Magazine, Feb/March
• The Mystic Lamb, Text by Fluvio Salvadon, Painting by Jack Goldstein Centre d’Art Contemporain, Geneva, Switzerland
• Paul Richard, “Art and the Question of Borrowing,” The Washington Post, April 2
• Helene Weiner, exhibition catalogue, essay, California Institute of the Arts, Valencia, CA
• Flavio Caroli, “Magico Primario,” Gruppo Editoriale Fabbri, Milano, Italy
• Valerie Smith, Art Review, Flash Art Magazine, May
• Richard Armijo, “Art Review,” The East Village Eye, New York, NY
• “A Fatal Attraction: Art and the Media,” The Renaissance Society of the University of Chicago
• Ausstellungskatalog, Documenta 7, Telle 1 and 2, Kassel, West germany
• Anne Rorimer, “74th American Exhibition,” The Art Institute of Chicago, Artforum, October, p.74-76
• Roselee Goldberg, “Post TV Art,” Portfolio Magazine, July/Aug p.76-79
• Judith Kirschner, “74th American Exhibition,” The Art Institute of Chicago, Artforum, October p.74-76
• Paul Schimmel, Exhibition Catalogue, essay, “Shift LA/NY,” Newport Harbor Art Museum, CA
• Janet Kardon, Exhibition Catalogue, “Image Scavengers: Painting,” Institute of Contemporary Art, University of Pennsylvania
• “Documenta 7 - Ein Rundgang,” in Kunstforum, Cologne, Germany, Sept/Oct

1981

• Helene Weiner, Exhibition Catalogue, essay, California Institute of the Arts, Valencia, California
• Carter Ratcliff, “Jack Goldstein at the Kitchen,” review, Art in America, January
• Valentine Tartransky, “The Opening of Metro Pictures,” Flash Art Magazine, March/April
• Richard Flood, Art Review, ArtForum Magazine, March
• Kim Levin, Art Review, Flash Art Magazine, March/April
• Douglas Crimp, “The Photographic Activity of Post Modernism”
• “Wierderabdruck in Performance,” Les Editions Parachute Magazine, Montreal, Canada, October
• Germano Celant, Impressionismo America,” Bonini Editore, Benoa, Italy
• Kasper Konig, Exhibition Catalogue, “Westkunst Heute,” Mussen der Stadty Koln, West Germany
• Dan Graham, “The End of Liberalism,” ZG Magazine, no.2, London
• Thomas Lawson, “The Last Exit Painting,” Artforum Magazine, October
• Grace Gleuck, “Art Review,” The New York Times, October 9
• Roberta Smith, “Art Review,” The Village Voice, New York, October 21
• Kay Larson, “Fear of Style,” New York Magazine, October 9
• Rosetta Brooks, “Life in Space: An Examination of the Work of New York Artist Jack Goldstein,” ZG Magazine, no.3, London
• Claude Gintz, “One Season in New York,” Artists October/November
• “Michael Newman Talks to Jack Goldstein,” ZG Magazine, no. 3, London

1980

• Barry Rosen and Helen Weiner, exhibition catalogue, “A Sound Selection” Audio Works by Artists, “Committee for the Visual Arts, New York and Contemporary Arts Museum, Houston, TX
• Zeno Birolli, exhibition catalogue, “HorrorPleni,” Padiglione d’Arte Contemporaneo, Milan Italy
• Flavio Caroli, exhibition catalogue, “New Image: A Generation and a Half of Young International Artists,” Regino Lambardia, Milan Italy
• Thomas Lawson, “Long Distance Information,” Real Life Magazine, New York, Summer
• Craig Owens, Art Review, Robert Wilson: Tableaux, Art in America, November

1979

• Rose Lee Goldberg, Performance: Live art 1909 to the Present, Thames and Hudson Harry N. Abrams
• Douglas Crimp, “About Pictures,” Flash Art Magazine, March/April
• Thomas Lawson, “The Uses of Representation: Making Some Distinctions,” Flash Art, March/April
• Douglas Crimp, “Pictures,” October Magazine, Spring 8, New York
• Jan Wessels, “Jack Goldstein in the Gronignen Museum, De Grammaofoonplaat als Bezweringsmedium,” in Nieuwsblad van Het Mooden, Gronigen, Holland, Aug 4
• Flazio Salvadori, exhibition catalogue, Centre d’Art Contemporain, 1974-1979, Geneva, Switzerland

1978

• Peter Frank, “Sound Ideas,” The Village Voice, New York, February 20
• Suzanne Munchnic, Art Review, The Los Angeles Times, May 1
• Henry Gerrit, “Picture,” Art News, January
• Thomas Lawson, “Pictures at Artists Space,” Art in America, Jan/Feb
• Karen Andrews, “Pictures ay the Exhibition,” The Oberlin Review, March 3
• David Salle, Exhibition Catalogue, “Jack Goldstein, Distance Equals Control,” Hallwalls, Buffalo, New York
• Peter Frank, “Pictures and Meaning,” Artweek Magazine, April 29

1977

• “Talking to Jack Goldstein,” Interview by Morgan Fisher, Los Angeles Institute of Contemporary Art Journal no. 14, April/May
• Douglas Crimp, Exhibition Catalogue, “Pictures,” Artists Space, New York
• “16 Dagen,” Text and Illustrations by Jack Goldstein, Gronigen Museum Catalogue, Groningen, Holland
• Germano Celant, exhibition catalogue, “The Record as Artwork from Futurism to Conceptual Art,” Fort Worth, TX
• Valentine Tartransky, “Pictures,” Arts Magazine, December
• William Zinner, “Pictures and Statements,” Soho Weekly News, October 6

1976

• Hans-Peter Wierk, Art Review, Bericht in der Nordsee-Zeitung, Bremerhaven West Germany
• Rubie Rich, exhibition catalogue, “Avant-Garde Film,” Art Institute of Chicago
• “Soho” Downtown Manhattan,” exhibition catalogue, Academy of Fine Arts, Berlin, West Germany
• Craig Whitney. “Berlin’s 26th Fall Arts Festival,” New York Times, September 22

1973

• Kim Levin, Art Review, Art News, January
• Ellen Lubell, Art Review, Arts Magazine, March

1971

• Melinda Terbell, Art Review, Arts Magazine, May
• Caroline Tisdail, Art review, London Guardian, September