Born in 1955, United States
Lives and works in London, England and New York, NY

EDUCATION

1980 BFA, Massachusetts College of Art, Boston, MA
1975-1977 Ecole Supérieure d’Art Visuel, Geneva, Switzerland

SOLO EXHIBITIONS
2010

• “Christian Marclay with Okkyung Lee”, Café Oto, London, England
• “Christian Marclay: Festival”, Whitney Museum of American Art, New York, NY

2009

• “Christian Marclay, Zoom Zoom with Shelley Hirsch”, Louvre, Paris
• “Christian Marclay with Irène Schweizer at Gare du Nord”, Basel, Switzerland“Christian Marclay with Okkyung Lee”, Café Oto, London, England
• “Christian Marclay with Otomo Yoshihide”, Café Oto, London, England

2008

• “Christian Marclay: Replay”, DHC Art Foundation, Montreal, Canada
• “Christian Marclay: Cyanotypes”, Paula Cooper Gallery, New York, NY
• “Cycloptically. Rolywholyover, Fifth Episode”, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
• “Christian Marclay: Solo”, Parkhaus im Malkastenpark, Dusseldorf, Germany
• “Christian Marclay – SNAP!”, Galerie Art and Essai, Rennes, France
• “Christian Marclay: Stereo”, Fraenkel Gallery, San Francisco, CA

2007

• “Christian Marclay, The Sounds of Christmas”, Musée d’Art
• Moderne et Contemporain, Geneva, Switzerland
• “Screenplay, The Wire 25, London, England
• “Up and Out”, Anthology Film Archives, New York, NY
• “Up and Out”, ARTPROJX and White Cube, Prince Charles Cinema, London, England
• “Christian Marclay”, Woodruff Art Center and The High Museum of Art, Atlanta, GA
• “Christian Marclay”, Michael Benevento, Los Angeles, CA
• “Replay”, Cité de la Musique, Paris, France
• “Crossfire”, White Cube, Hoxton Square, London, England
• “Video Quartet”, Western Bridge, Seattle, WA

2006

• “Christian Marclay”, Paula Cooper Gallery, New York, NY
• “The Bell and the Glass”, Moderna Museet, Stockholm, Sweden
• “Hyprvision”, curated by Denise Markonish, Westport Art Center, Westport, CT
• “Mixed Reviews”, MIT List Visual Art Center, Cambridge, MA

2005

• “Video Score”, Eyebeam, New York, NY
• “Christian Marclay”, Galerie Yvon Lambert, Paris, France
• “Works on Paper – 2005”, Schmidt Contemporary Art, St. Louis, MO
• “Shake, Rattle and Roll (Fluxmix)”, Paula Cooper Gallery, New York, NY

2004

• “The Sounds of Christmas”, Tate Modern, London, England
• Shake, Rattle and Roll: Christian Marclay”, Franklin Art Works in collaboration with the Walker Art Center, Minneapolis, MN
• “The Listening Eyes with Christian Marclay”, Telecom Italia Future Centre, Venice, Italy“Christian Marclay”, Seattle Art Museum, Seattle; Kunstmuseum Thun, Switzerland; Collection Lambert, Avignon,

2003

• “Christian Marclay: Telephones”, Sprengel Museum Hannover, Hannover, Germany
• “Christian Marclay”, UCLA Hammer Museum, Los Angeles, CA; The Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY; The Seattle Art Museum, WA; Kunstmuseum Thun, Switzerland; Collection Lambert, Avignon, Avignon; Barbican Art Gallery, London, England
• “Christian Marclay: Video Quartet”, Kunsthalle Fridericianum, Kassel, Germany
• “Christian Marclay: The Bell and the Glass”, Philadelphia Museum of Art, Philadelphia, PA
• “Christian Marclay: Video Quartet”, White Cube, London, England

2002

• “Christian Marclay: Video Quartet”, Paula Cooper Gallery, New York, NY
• “Christian Marclay: Three Compositions”, Contemporary Arts Center, New Orleans, LA
• “Look at the Music/SeeSound: Christian Marclay”, Ystad Art Museum, Sweden
• “Graffiti Composition”, Neue Nationalgalerie, Berlin, Germany
• “Sampling/Christian Marclay”, San Francisco Museum of Modern Art, San Francisco, CA
• “Christian Marclay”, November Music 2002, S-Hertogenbosch, The Netherlands
• “The Sounds of Christmas”, Museum of Contemporary Art, Miami, FL

2001

• “Feature, Art, Life and Cinema”, Govett-Brewster Art Gallery, New Plymouth, New Zealand
• “Video Café: E/Motion Studies”, Queens Museum of Art, Long Island City, NY
• “Audible Imagery”, Museum of Contemporary Photography, Chicago, IL
• “Telephones”, Delaware Center for Contemporary Art, Wilmington, DE,
• Museum of Contemporary Art, Chicago, Illinois
  “Currents: Christian Marclay”, Saint Louis Art Museum, St. Louis, MO
• “Guitar Drag”, Gallery Koyanagi, Tokyo, Japan
• “New Works”, Paula Cooper Gallery, New York, NY

2000

• “Christian Marclay: The Sounds of Christmas”, The New Museum of Contemporary Art / Media Z Lounge, New York, NY
• “Christian Marclay: Cinema”, Oakville Galleries, Oakville, Ontario, Canada
• “Christian Marclay: Video & Photography”, Museet for Samtidskunst, Roskilde, Denmark

1999

• “Telephones”, Paula Cooper Gallery, New York, NY
• “ArtPace”, A Foundation for Contemporary Art/San Antonio, San Antonio, TX

1997

• “Pictures at an Exhibition”, Whitney Museum of American Art at Phillip Morris, New York, NY
• “Arranged and Conducted”, Kunsthaus Zurich, Zurich, Switzerland

1995

• “Accompagnement Musical”, Musée d’Art et d’Histoire, Geneva, Switzerland
• “Amplification”, Venice Biennial, Chiesa San Staë, Venice, Italy

1994

• Fawbush Gallery, New York, NY
• Fri-Art Centre d’art contemporain Kunsthalle, Fribourg, Germany
• daadgalerie, Berlin, Germany

1993

• Margo Leavin Gallery, Los Angeles, CA

1992

• “The Wind Section”, Galerie Jennifer Flay, Paris, France
• “Masks”, Galleria Valentina Moncada, Rome, Italy

1991

• Interim Art, London
• Galerie Isabella Kacprzak, Cologne, Germany

1990

• Hirshhorn Museum & Sculpture Garden, Washington

1989

• “Footsteps”, Shedhalle, Zurich; Tom Cugliani Gallery, New York, NY

1988

• “Tom Cugliani Gallery”, New York, NY

1987

• “The Clocktower”, P.S.1 Museum, New York, NY

GROUP EXHIBITIONS
2010

• “Double Bind”, Villa Arson, Nice, France
• ”Pictures & Statues”, Country Club, Cincinnati, OH

2009

• Yokohama International Arts & Media Festival, Yokohama
  Platform 2009, Seoul
• Printemps de Septembre, Toulouse, France
• Feedbackstage, Georg Kargl Fine Arts, Vienna

2008

• “Sonic Youth etc..: Sensational Fix”, curated by Roland Groenenboom, LIFE, St. Nazaire, France
• “You Dig The Tunnel, I’ll Hide The Soil”, White Cube, Hoxton Square and Shoreditch Town Hall, London, England
• “Art Vidéo Suisse des Années 70 et 80: Une Reconstruction”, Kunstmuseum Luzern, Luzern, Switzerland
• “KRAZY!, The Delirious World of Anime + Comics + Video Games + Art”, Vancouver Art Gallery, Vancouver, Canada
• “Voice & Void”, Galerie im Taxispalais, Innsbruck, Austria
• “BENEFIT AUCTION”, Kunsthalle Bern, Bern, Switzerland

2007

• “Death Becomes Her”, Yvon Lambert Temporary Space, Miami, FL
• “Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection”, Hessel Museum of Art, New York, NY
• “Stop. Look. Listen.”, Herbert F. Johnson Museum of Art, Cornell University, New York, NY
• “Intensities: Noncomformity, Impropriety and Rebellion Between Art and the Music Scene”, Torre Muntades Art Centre, Barcelona, Spain
• “J’embrasse Pas”, Collection Lambert, Avignon, France
• “Contemporary+Cutting Edge: Pleasures of Collecting, Part III”, Bruce Museum, Greenwich, CT
• “Voice & Void: 2006 Hall Curatorial Fellowship Exhibition”, The Aldrich Contemporary Art Museum, Ridgefield, CT
• “Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, IL
• “Reflection”, Pinchuk Art Centre, Kyiv, Ukraine
• “Listening Awry – Kimsooja, Christian Marclay, Santiago Sierra, Su-Mei Tse”, McMaster University Museum of Art, Ontario
• “The Freak Show”, Musée d’Art Contemporain de Lyon, Lyon, France
• “RISS/LUCKE/SCHARNIER A – RIFT/GAP/HINGE A”, Galerie Nächst St. Stephan/Rosemarie Schwarzwälder, Vienn
• “Music Is a Better Noise”, PS1 Contemporary Art Center, New York, NY
• “All About Laughter", Mori Art Museum, Tokyo, Japan
• “Merce Cunningham: Dancing on the Cutting Edge”, Museum of Contemporary Art, North Miami, FL

2006

• “Art, Life & Confusion”, organized by René Block, October Art Salon, Belgrade, Republic of Serbia
• “Without a Camera: The Photogram”, curated by Toni Stooss, Museum der Moderne, Salzburg, Austria
• “New York, New York”, curated by Lisa Dennison, Germano Celant and Melissa Harris, Grimaldi Forum, Monaco, France
• “Thank You for the Music (London Beat)”, Sprüth Magers, Munich, Germany; Sprüth Magers, Lee, London
• “Case Studies: Art in a Valise”, curated by Suzanne Ramljak, Katonah Museum of Art, Katonah, NY
• “Upsetting the Balance”, Zentrum Paul Klee, Bern, Switzerland
• “From the Audible to the Visible”, Galerie Frank Elbaz, Paris, FraNce
• “Une Vision du Monde, the video collection of Isabelle and Jean-Conrad Lemaître”, La Maison Rouge, Paris, France
• “AUDIO”, curated by Francis Baudevin, Geneva, Switzerland
• “Hypervision”, curated by Denise Markonish, Westport Arts Center, Westport, CT
• “Do You Think I’m Disco”, Longwood Arts Project, Bronx, NY
• “Deaf”, Galerie Frank Elbaz, Paris, France
• “Kill Your Timid Notion”, Dundee Contemporary Arts Music Festival, Scotland
• “CUT/ Film as Found Object in Contemporary Video”, Philbrook Museum of Art, Tulsa, OK
• “The Downtown Show: The New York Art Scene 1974-1984”, Grey Art Gallery, New York, NY
• “Do You Think I’m Disco?”, Longwood Art Gallery, Bronx, NY

2005

• “Thank You for the Music”, curated by Johannes Fricke Waldthausen, Spruth Magers Projekte, Munich, Germany
• “Radio Kills The Video Stars/ Side A”, FRAC Champagne-Ardenne, Reims, France
• “Empreinte Moi: Une Exposition de Philippe Segalot”, Galerie Emmanuel Perrotin, Paris, France
• “Suspended Narratives”, curated by Maureen Mahoney, Lora Reynolds Gallery, Austin, TX
• “New Acquisition”, FRAC Champagne-Ardenne, Reims, France
• “AudioFiles”, Contemporary Art Museum: Institute for Research in Art, University of South Florida, Tampa, FL
• “Collection Lambert en Avignon”, Musée d’Art Contemporain, Avignon, France
• “Girls on Film”, curated by Kristine Bell, Zwirner & Wirth, New York, NY
• “Vídeo música”, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
• “CUT/Film as Found Object”, Milwaukee Art Museum, Milwaukee, WI
• “Le génie du lieu [The Genius of the Place]”, F.R.A.C. Bourgogne, France
• “Variations on a Silence: Project for a Recycling Plant”, Re-Tem Tokyo Plant, Tokyo, Japan
• “Aural Cultures”, Walter Phillips Gallery, Banff, Alberta
• “Material Matters”, Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY

2004

• ‘None of the above”, curated by Cesar Marzetti, Museum of New Art, Detroit, MI
• “Realm of the Senses”, James Cohan Gallery, New York, NY
• “None of the above”, curated by John Armleder, Swiss Institute, New York, NY
• “Cut: Film as Found Object”, Museum of Contemporary Art, North Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Philbrook Museum of Art, Tulsa, OK
• “Thinking Out Loud”, presented as a part of Melbourne International Arts Festival, Heide Museum
• of Modern Art, Victoria, Australia
• “Audioframes 3”, Centre d’arts Limelight, Kortrijk, Belgium
• “In Extremis; Printemps de septembre in Toulouse Festival of contemporary images”, Les Abattoirs, Toulouse, France
• “Festival d’Automne à Paris 2004”, Espace Topographie de l’Art, Paris, France
• “Sons & Lumiéres”, Centre Georges Pompidou, Paris, France
• “Reactivity -unpredictable past”, ICC/InterCommunication Center, Tokyo, Japan
• “The Fifth International Biennial Exhibition, Disparities and Deformations: Our Grotesque”, curated by Robert Storr, SITE Santa Fe, NM
• “Transmit+Transform”, Santa Fe Art Institute, New Mexico, NM
• “Genesis Sculpture”, Experience Pommery #1, Domaine Pommery, Reims, France
• “Collage”, Bloomberg Space, London
• “ipeg_bild.on.maschine”, Künstlerhaus Bethanien, Berlin, Germany
• “I, Assassin”, curated by Slater Bradely, Wallspace, New York, NY
• “Playlist”, Palais de Tokyo, Paris, France
• “Ouroboros: Music of the Spheres”, CCA Glasgow, Scotland
• “Sample This: The Art of Collage”, University of Virginia Art Museum, Charlottesville, VA

2003

• “Pop Rock!”, Caren Golden Fine Art, New York, NY
• “Fast forward”. Media Art Sammlung Goetz, Zentrym für Kunst und Medientechnologie, Karlsruhe, Germany
• “Night Moves”, San Jose Institute of Contemporary Art, San Jose, CA
• “PLUNDER: culture as material”, Dundee Contemporary Arts, Dundee, Scotland
• “Go Johnny Go!”, Kunsthalle Wien, Vienna, Austria
• “The Sound of Video – Voice and Rhythm in Audiovisual Art”, LAB, Copenhagen, Denmark
• “Incommunicado”, organized by Hayward Gallery, London for Arts Council England, Sainsbury Centre for Visual Arts, Norwich; City Art Centre, “Edinburgh; Cornerhouse, Manchester, England
• “Living with Duchamp”, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
• “Now Playing”, Bluecoat Gallery, Liverpool, England
• “Not Exactly Photographs”, Fraenkel Gallery, San Francisco, CA
• “Formed to Function”, John Michael Kohler Arts Center, WI
• “Extended Play”, Govett-Brewster Art Gallery, New Zealand
• “Pantalla suiza”, organized by ARCO 2003, Museo Nacional Centro de Arte Reina Sofia, Madrid,Spain
• “Harlem Postcards II”, The Studio Museum in Harlem, New York, NY
• “Air Guitar”, Angel Row Gallery, Nottingham, England

2002

• “Telephones”, Anthony Wilkinson Gallery, London, England
• “Stutter, Stutter”, Shaheen Gallery, Cleveland, OH
• “…Message sent…,” City Art Center, Edinburgh, Scotland
• “Mirror Image”, UCLA Hammer Museum, CA
• “Shoot the Singer: Music on Video”, Institute of Contemporary Art, Philadelphia, PA
• “Whitney Biennial”, Whitney Museum of American Art, New York, NY
• “Rock My World”, California College of Arts and Crafts, Oakland, CA
• “Media Field: Old New Technologies”, Wiilliams College Museum of Art, Williamstown, MA
• “40 Years of Fluxus events”, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
• “do it (home version)”, curated by Hans Ulrich Obrist, online project at www.e-flux.com
• “The Second Phase: Interpretations of the Photographic Portrait”, Deutsches Museum, München, Germany
• “Expo 2002”, Yverdon-les-Bans, Switzerland
• “Air Guitar: Art Reconsidering Rock Music”, Milton Keynes Gallery, Milton Keynes, England; Turnpike Gallery, Leigh, England; Angel Row Gallery, Nottingham, England; Tullie House, Carlisle, England
• “Art Downtown; New Photography”, Wall Street Risini, NY
• “Jack, Cinch & XLR: Amplified Images”, Le Crestet Centre d’Art, Crestet, France
• “The LP Show”, Andy Warhol Museum, Pittsburgh, PA
• “Something/Anything”, curated by Nayland Blake, Matthew Marks Gallery, New York, NY
• “Fluxus und die Folgen”, Kunstsommer Wiesbaden, Germany
• “Guitar Drag”, Post-Fluxus Exhibition, Wiesbaden, Germany
• “The Passing”, Galeria Helga de Alvear, Madrid, Spain
• “Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present”, The Art Museum at Florida International University, Miami, FL
• “Some Assembly Required: Collage Culture in Post-War America”, Everson Museum of Art, Syracuse, NY
• “The Body in Music”, Cité de la Musique, Paris, France
• “Mirror Mirror”, Mass MOCA, North Adams, MA
• “Electric Body: le corps en scéne”, Cité de la musique – Musée de la musique, France
• “Audible Imagery: Sound and Photography”, The Museum of Contemporary Photography, Columbia College, Chicago, IL
• “Remapping the City”, New Ears Festival, Kortrijk/Begium, Lille/France
• “Re:Direct”, Kuenstlerhaus Stuttgart/Germany
• “Zero Visibility”, Vilnius, Ljublijana; Genazzano/Rome, Italy

2001

• “Now Playing: Audio in Art”, Susan Inglett Gallery, New York, NY
• “art>music”, Museum of Contemporary Art, Sydney, Australia
• “In Sync, Cinema and Sound in the Work of Julie Becker and Christian Marclay”, Whitney Museum of American Art, New York, NY
• “The LP Show”, Exit Art, New York, NY
• “Body & Sin”, Valencia Biennial, Valencia, Spain
• “Looking at You”, Kunsthalle Fridericianum, Kassel, Germany
• “Video Streets”, Downtown Arts Festival, New York, NY (Screening of “Mixed Reviews”)
• “Recasting the Past: Beneath the Hollywood Tinsel”, Main Art Gallery, California State University, Fullerton, CA
• “Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield, CT
• “Wiederaufnahme (Retake)”, NAK Neuer Aachener Kunstverein, Frankfurt, Germany
• “Translated Acts: Performance and Body Art from East Asia 1990-2001”, Queens Museum of Art, New York, NY
• “Record All-Over, 9th Biennial of Moving Images”, Centre pour l’image Contemporaine, Saint-Gervais Geneva, France
• “Feature: Art, Life & Cinema”, Govett-Brewster Art Gallery, New Plymouth, New Zealand

2000

• “Le temps, vite!”, Centre Georges Pompidou, Paris, France
  Group exhibition organized by Viart at Teachers Insurance and Annuity Association College Retirement Equities Fund Group Video Exhibition, Galerie Barbara Thumm, Berlin, Germany; The Badischer Kunstverein, Karlsruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland ; House of Contemporary Arts Trafo, Budapest, Hungary; Lux Centre, London
• “Human Gender and Being”, Kwangju Biennale, Kwangju, Korea
• “Sonic Boom: The Art of Sound”, Hayward Gallery, London, England
• “Making Sense: Ellen Gallagher, Christian Marclay and Liliana Porter”, Contemporary Museum, Baltimore, MD
• “Umedalen Skulptur 2000”, Galleri Stefan Andersson, Umea, Sweden
• Group Show, Paula Cooper Gallery, New York, NY
• “Volume: Bed of Sound, P.S. 1” Contemporary Art Center, Long Island City, NY
• “Presentation House Gallery”, Vancouver, British Columbia, Vancouver, Canada
• “Internationales Videoprogramm”, Badischer KunstVerein, Karlsruhe, Germany
• “La Biennale de Montreal”, Centre International D’Art Contemporain de Montreal, Montreal, Canada
• “Off the Record: Music in Art”, Center Gallery, Bucknell University, Lewisburg, PA
• “Berlin Open”, Trafo Galeria, Budapest, Hungary
• “Print Publishers’ Spotlight”, Barbara Krakow Gallery, Boston, MA
• “S.O.S.: Scenes of Sound”, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
• ‘To Infinity and Beyond: Editions for the Year 2000”, Brooke Alexander Gallery, New York, NY
  “Hard Pressed: 600 Years of Prints and Process”, AXA Gallery, 787 Seventh Avenue, New York, NY
• Wanted! International Video Program, Bunkier Sztuki
• “Art on Paper”, Weatherspoon Art Gallery, Greensboro, NC

1999

• “dAPERtuto”, La Biennale di Venezia, Venice, Italy
• “Releasing Senses”, Tokyo Opera City Art Gallery, Tokyo, Japan
• “Notorious”, Alfred Hitchcock and Contemporary Art, Museum of Modern Art, Oxford, England“Talk Show”, Von der Heydt Museum, Wuppertal; Haus der Kunst Munich, Germany
• “Musique en Scène”, Musée d’art contemporain, Lyon, France
• “Videodrome”, The New Museum of Contemporary Art, New York, NY
• “The International Artist-in-Residence Program”, ArtPace, San Antonio, Texas
• Group video exhibiton, Gallerie Barbara Thumm, Berlin, Germany; Badischer Kunstverein Karlsruhe, Karlshruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland

1998

• “I love New York”, Ludwig Museum, Cologne, Germany
• “Dust Breeding”, Fraenkel Gallery, San Francisco, CA
• “In vitro e altro”, Cabinet des estampes, Geneva, France
• “Freie Sicht aufs Mittelmeer”, Kunsthaus Zurich, Switzerland
• “Crossings”, Kunsthalle Vienna; Rudolfinum, Prague, Czech Republic
• “White Noise”, Kunsthalle Bern, Bern, Switzerland
• “Technoculture (Computer World)”, Fri-Art, Fribourg, Switzerland
• “Archiv X”, Offenes Kulturhaus, Linz, Austria
• “Composed”, Angles Gallery, Santa Monica, CA

1997

• “Nonchalance”, Centre PasquART, Biel, Switzerland; Akademie der Kunste, Berlin, Germany
• “Rrose is a Rrose is a Rrose: Gender Performance in Photography”, Solomon R. Guggenheim Museum, New York, NY

1996

• “Art and Film Since 1945: Hall of Mirrors”, Museum of Contemporary Art, Los Angeles, CA
• “Transformers: A Moving Experience”, Auckland Art Gallery, New Zealand
• “Model Home”, The Clocktower, New York, NY
• “It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art”, Contemporary Art Center, Cincinnati, OH

1995

• “Commercial Art”, Gallery Paule Anglim, San Francisco, CA
• “Back Beat: Art Influenced by Rock & Roll”, Cleveland Center for the Arts, Cleveland, OH
• “Klangskulpturen-Augenmusik”, Ludwig Museum im Deutschherrenhaus, Koblenz, Germany
• “Temporarily Possessed: The Semi-Permanent Collection”, The New Museum of Contemporary Art, New York, NY
• Venice Biennial, Venice, Italy

1994

• “Outside the Frame: Performance and the Object”, Cleveland Center for the Arts, Cleveland, OH
• “Playoff”, Art & Public, Geneva, Switzerland
• “Synesthesia: Sound and Vision in Contemporary Art”, San Antonio Museum of Art, Texas, TX
• “Transformers: The Art of Multiphrenia”, Center for Curatorial Studies, Bar College, NY
• New Delhi Triennial, New Delhi, India

1993

• “At the Edge of Chaos”, Louisiana Museum, Denmark

1991

• “The Savage Garden”, Fundacion Caja De Pensiones, Madrid, Spain
• “FluxAttitudes”, Hallwalls, Buffalo, NY; The New Museum, New York, NY
• “1991 Biennial Exhibition”, Whitney Museum of American Art, New York, NY
• “Doubletake: Collective Memory and Current Art”, Hayward Gallery, London, England
• “Hidden Refelctions”, Israel Museum, Jerusalem, Israel
• “Post Human”, FAE Musée d’art contemporain, Pully/Lausanne; Castello di Rivoli, Torino, Italy; Deste Foundation for Contemporary Art, Athens, Greece; Deichtorhallen, Hamburg, Germany; Israel Museum, Jerusalem, Israel

1990

• “Status of Sculpture”, Espace Lyonnais d’art contemporain, Lyon, France; ICA, London, England; Provincial Museum, Hasselt, Belgium; Lion’s Palais, Stiftung Starke, Berlin, Germany
• “New Works for New Spaces: Into the 1990’s”, Wexner Art Center, Columbus, OH

1989

• “Broken Music: Artist’s Recordworks”, Daad Galerie, Berlin, Germany; Gemeentemuseum, Den Haag, Netherlands; Le Magasin, Grenoble; Musée d’Art Moderne, Montreal, Canada
• “Strange Attractors: Signs of Chaos”, New Museum of Contemporary Art, New York, NY

1988

• “Group Material: Politics and Election”, DIA Art Foundation, New York, NY